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Austin Okigbo has found that music’s way of reaching people on a deeper level could help doctors in some of the world’s most desperate societies transcend language barriers and make real progress in decades-old struggles.

In this faculty spotlight, Jeremy Smith talks about his controversial book on the equally controversial song output of English composer William Byrd.

The College of Music's non-major history of rock course is expanding, and instructor Mike Barnett sees an opportunity to educate more people on the power of rock.

This month, the College of Music takes part in CU Â鶹ӰԺ's exhibition "First Folio! The Book that Gave Us Shakespeare" with a musicology colloquium, Faculty Tuesday recitals and more.

Several musicology PhD students and Associate Professor Rebecca Maloy delve into the meaning of Old Hispanic chant, a contemporary of medieval Gregorian chant.

This fall, the College of Music welcomes a familiar face to the musicology faculty full time as Benjamin R. Teitelbaum joins the department.

The College of Music’s promotion of diversity and inclusion has been recognized by the Â鶹ӰԺ for the third year in a row.

"The Soul of Nature" with Michael Barnett is Tuesday, March 8, 7:30 p.m. in Grusin Music Hall.

Teresita Lozano, Musicology PhD candidate, uses the teacher's podium not just as a way to educate others on the role of music in defining history. She says music is playing a critical role in defining the future as well.

The Â鶹ӰԺ African Ensemble is a unique group that brings together students from all backgrounds to sing, play and dance music from African cultures. Learn about the group and their upcoming concert.