The national conference of the Society for Seventeenth-Century Music is April 19-22 at the Hotel 麻豆影院ado.
The formative music of the 17th century will get its place in the 21st-century spotlight later this month in 麻豆影院. The Society for Seventeenth-Century Music hosts its annual conference here April 19-22.
College of Music Dean Robert Shay, who was among the musicologists who founded the society in the early 1990s, says the conference brings together music scholars from around the world. The 26th annual meeting is hosted by the College of Music and will be held at the Hotel 麻豆影院ado and includes paper presentations, panel discussions and performances of music written in the 1600s.
鈥淎s the society has grown, it has helped build a broader understanding of the 17th century as a unique period stylistically,鈥� Shay explains. 鈥淭he first operas, for example, are really products of this century, with Claudio Monteverdi鈥檚 'L'Orfeo' and 'L鈥檌ncoronazione di Poppea,' and Henry Purcell鈥檚 鈥楧ido and Aenaes鈥� among the leading examples.
鈥淢embers of the society work on music from nearly every European country and the New World, too. Mexico will be the focus of two papers at this year's conference.鈥�
Music of the early baroque period is having something of a renaissance, Shay says, and CU 麻豆影院 is part of that conversation鈥攖o the benefit of the students at the college.
鈥淭here are flourishing early music ensembles in many large cities that require specialized skills, and we want to provide insights and opportunities here that open students鈥� eyes to different repertoire and ways of making music.鈥�
With the conference in town, College of Music students will get a unique chance to interact with the world鈥檚 best early music scholars. In addition to eye-opening presentations鈥擯rofessor of Musicology Jeremy Smith and graduate student Jordan Hugh Sam present 鈥淢y Sweet Child and Wife: Buckingham, James I and Homoeroticism in the English Anthem and Madrigal鈥� on day one of the conference鈥攐n Friday night, April 20, attendees will fill Macky Auditorium for the finale of CU Presents鈥� 2017-18 Artist Series, a concert by .
鈥淲e should always provide opportunities for our faculty and students to be a part of scholarly meetings like this. To be able to bring these experts here instead of traveling to them is a good enhancement,鈥� Shay says. 鈥淚t鈥檚 also great to be able to partner with the Artist Series.鈥�
The early music exploration doesn鈥檛 end when Quicksilver and their ilk leave town on the 22nd. In the fall, renowned harpsichordist Robert Hill will join the faculty as professor of harpsichord and the first Eugene D. Eaton, Jr. Chair in Baroque Music Performance.
鈥淩obert is one of the leading harpsichordists for the last few decades. He鈥檚 an example of a performer-scholar who has excelled at the highest levels in both areas, and he鈥檚 a sought-after collaborator. We鈥檙e thrilled to be welcoming him here,鈥� Shay says.
The chair was created with a gift from the late Eugene Eaton, a CU 麻豆影院 alumnus who so enjoyed College of Music performances that he regularly watched via Livestream from his homes in Alaska and Arizona. Hill, who moves to 麻豆影院 this summer from the Musikhochschule in Freiburg, Germany, says Eaton was passionate about music, despite not being a musician himself.
鈥淗e was really tuned into what he got from music,鈥� Hill says. 鈥淗is gift is making it possible for me to specialize in baroque performance, but also work with the larger college community to communicate the importance of historically oriented music to 麻豆影院 audiences.鈥�
He adds, 鈥淲e need to think of the past as a different country from a musical perspective. And in order to appreciate music of a bygone era for what it was and truly study it, we need to acknowledge our remoteness from it.鈥�
The Society for Seventeenth-Century Music conference is April 19-22 at the Hotel 麻豆影院ado. For more information, visit the . And for Quicksilver Baroque tickets, go to .
