Fall 2018
- This course examines a series of literary texts to consider how writers across the world have used fiction to creatively stage and reimagine gender and sexuality. Attends to the formal and narrative techniques by which these texts call attention to
- This course examines contemporary films by First Nations directors, emphasizing works by women and LGBTQ2 filmmakers. We will view films across a range of genres, horror, fantasy, romance, documentary, sci-fi, and so on. The films will cover a range
- This course introduces students to the work of authors from formerly colonized nations in the Caribbean, Africa, and South Asia. Focusing primarily, though not exclusively, on prose fiction, we will examine how postcolonial writers engage with
- How black is Romanticism? This question will be the central concern of our course, which will investigate the roots of British and American culture in the routes of trans-Atlantic economic trade of the late eighteenth century. We will contest
- How does the comic book work, both on the page and in the world? In answering this, we'll go back to the comic book's beginnings and work our way book by book all the way up to now, where comic book movies are dominating the box office. Expect to
- This course surveys theoretical, critical, and historical writings in the context of lesbian, bisexual, transgender and gay literature. Examines relationships among aesthetic, cultural and political agendas, and literary and visual texts of the 20th
- This course explores buffalo in American folklore from its earliest appearances in American travel narratives and colonial records. We will look at how British and French colonists related to the American continent through its inhabitants, buffalo
- This course will serve as a humanities-based introduction to digital media structures such as the digital archive and reading/writing software that fundamentally affects what we ourselves are able to read/write; theories and methodologies for
- This course studies modern American writers writing about their own lives. In addition, students will have a chance to do their own personal writing. We will consider not only writing that presents itself as autobiography or memoir but also fiction
- This course surveys the American novel. Covers the early development of the American novel, its rise in the 19th- and 20th-centuries, and its contemporary expressions. Students will be introduced to theories of the novel, the major movements and