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Masses and Motets is a tale composed of four basic interwoven threads, corresponding to the four-part choral writing of Pierre de la Rue’s service music. The first thread comes from the diaries of a recently murdered priest, Father Andrea Vidal

Noah Eli Gordon's latest poetry collection, Is That the Sound of a Piano Coming from Several Houses Down? (Solid Objects) was included in The New York Times "New & Noteworthy" list on April 3.

Approaching the practices of reading and writing from a feminist perspective, Julie Carr asks vital ethical questions about the role of poetry—and of art in general—in a violent culture. She addresses issues such as the art of listening, the body and the avant-garde, gun violence, police brutality, reading and protest, and feminist responses to war in essays that are lucid, inventive, and informed by a life lived with poetry.

A one-sided epistolary novella whose speaker writes to an ex-lover’s ex-lover begins this volume, and Carr charges these unanswered, unanswerable letters with inquiries that permeate the book: How do we understand grief, obsession, the very nature of forgiveness? Why confess? Whom does my confession benefit? For whom do I intend it?

Walking through his own house at night, a twelve-year-old thinks he sees another person stepping through a doorway.

What do you do when your dreams come true? When you were twelve, camping out in the back yard, you told your best friend that if he could draw a superhero good enough, you’d give him the perfect words to say. And then it didn’t just happen, there’s even action figures now.