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This course will begin with some central figures behind and within English language 20th-century poetry and then split up into interest groups according to the students’ own enthusiasms and desires to explore.  The central figures will include

This course considers how the legacy of slavery, including the Middle Passage, is rewritten in 20th and 21st century novels in English.  We will consider not only how that history is remembered, but how its legacy lives on.  We’ll begin

T.S. Eliot wrote several of the most important poems of the twentieth century. He was also a major critic, a playwright, and a publisher. His work remains a troubling mix of brilliantly subversive “raids on the unconscious” and deeply conservative

A hybrid form, graphic narrative combines the innovative visual/verbal framework of the cartoon and the longer storytelling form of fiction and nonfiction. A term first coined in the US in 1978, graphic narratives have become a mainstay popular

This seminar provides a selective overview of historic and contemporary trends in Native American and Indigenous Studies academic scholarship as well as contemporary Indigenous methodologies and theory.  The readings cover a range of

This course explores European and American discourses, ideologies, and representations of the Middle East from the 19th century to the present. How, we ask, was a region as ethnically, religiously, culturally, and linguistically diverse as it is

In this course we will read a variety of women writers from the 18th and 19th centuries. Romanticism (1750-1832) is often called the Age of Revolution because it overturned all kinds of traditional, conformist thinking as well as sparking

This course considers a selection of recent American ecofictions in the context of posthuman and postnatural theory. These ecofictions rework the category of “nature” outside of a realist narrative framework but still take their bearings from

Our world is undergoing exponential change. No one knows what is coming ahead, but we all know it is coming fast. We live in what Yuval Noah Harari calls “an age of bewilderment.” Art is one way of understanding our situation. Overwhelmingly, the

This class will engage in close readings of thirteen or fourteen American feature films and a number of shorts that best typify distinctly American genres like screwball comedy, or American treatments of standard genres like slapstick comedy, farce