麻豆影院

Barbara Vobejda decides what听The Washington Post鈥檚 front page and breaking news stories will be every day.

The center of gravity in听听headquarters is 鈥淭he Hub,鈥� a ring of desks in the middle of the newsroom. The 14 people who sit here are running the main pages on all platforms 鈥� A1, the home page, the tablet app and the mobile app. It鈥檚 where journalism鈥檚 past and future merge into one m茅lange of digital editors, page designers, photo and managing editors.

In the middle of it all sits听Barbara Vobejda听(Jour鈥�75).

Since 2012 she has been the paper鈥檚 Page-One editor. Vobejda decides which stories readers will first lay their eyes on when they pick up one of听The Post鈥檚 more than 450,000 daily copies or when they visit the paper鈥檚 homepage.

鈥淏arbara is one of a small number of people who is trusted to run the day here at听The Post,鈥� says universal news editor Eric Rich, who oversees the web content and works closely with Vobejda. 鈥淓ditors and reporters around the room look to her to weigh in on and ultimately make decisions about all kinds of important and sometimes thorny issues.鈥�

To name just a few 鈥� is a story or headline fair? Should the name of a suspect be published? Should the paper send a reporter to an overseas news scene or cover the story from the newsroom?

Like Vobejda, Rich also sits in The Hub.

鈥淚n many ways, it functions like an air traffic control tower,鈥� he says. 鈥淚t鈥檚 staffed 24/7. It鈥檚 busy most of the time. It鈥檚 where decisions are made about things like calling elections.鈥�

In April听The Washington Post听cashed in on yet another year of successfully shaping international news, adding two more Pulitzer Prizes for the coverage of the National Security Agency鈥檚 secret surveillance activities.

When the paper first broke the story on June 6, 2013, it was Scott Vance, the deputy managing editor with whom Vobejda trades running the day, who received the go-ahead from executive editor Martin Baron to publish.

Vobejda says it was never a question whether the NSA stories would run on the front page. They all did.

鈥淭he President himself changed policies as a result of the revelations,鈥� she adds. Changes include the Obama administration tightening access to surveillance agency records.

A couple of years ago, readers of the printed paper would have been the first to learn about stories such as the NSA revelations. Not so today.

鈥淲e have moved away from breaking stories in print,鈥� Vobejda explains, noting the digital revolution in journalism led to a job title change last year when she went from 鈥淎1 editor鈥� to 鈥渘ews editor.鈥�

Deciding what will be the lead story often takes all day. After a story meeting in the morning, Vobejda keeps a running list of candidates as the day goes by. What鈥檚 on the list in the morning might have dropped off the edge in the afternoon.

鈥淎 wide range of journalists enter The Hub on any given day, pitching, lobbying, pleading, alerting, arguing for play on the homepage, for more space, for A1-consideration,鈥� says managing editor Kevin Merida. 鈥淣o one is ever shy about coming to see Barbara. She is most accessible, firm but welcoming. This is one of her great gifts. She has the respect of reporters and editors, as she has worked closely with so many of them.鈥�

Barbara is one of a small number of people who is trusted to run the day here at听The Post.

A good听Washington Post听page one that captures people鈥檚 attention, Vobejda says, has compelling photography and a good mix of international, national and local stories.

鈥淏arbara brings a wonderful energy and insight into the A-1 process,鈥� says Greg Manifold,听The Post鈥檚 design director. 鈥淪he鈥檚 open to ideas and concepts for the page. She鈥檚 constantly
soliciting opinions and feedback about the mix of stories and the elements on the page. She makes it a true collaborative effort.鈥�

When Vobejda goes home at around 8 p.m. each night, after 11 hours in the newsroom, her workday isn鈥檛 over. In fact, it never is. The news never stops breaking.

鈥淚 continue to check email from home, answer questions and respond to any further news that happens,鈥� she says. 鈥淭hat means I am often thinking about stories, and the news, long after I leave.鈥�

This year marks Vobejda鈥檚 30th anniversary at听The Washington Post.

After graduating from CU-麻豆影院, she moved to New England to work at the听Newburyport Daily News in Massachusetts for a few years before taking a job as the first female sports reporter at a local newspaper in Honolulu, Hawaii.

Starting at听The Post听in 1984, she worked as a part timer on the copy desk before moving on to cover local and national education issues and later to report on social policies.

A dozen years on听The Post鈥檚 national staff came to an end when she joined the paper鈥檚 investigative team 鈥� first as a reporter and later, in 2000, as an editor. It was during that time that she worked closely with Jeff Leen who still leads the investigative unit.

鈥淏arbara is a brilliant word editor who cares deeply about the news and focuses sharply in each story on those elements most likely to be of interest to the readers,鈥� Leen says.
During the 2008 and 2012 presidential election cycles, Vobejda worked on the paper鈥檚 campaign coverage. A few days after Barack Obama won re-election in 2012, she ascended to her current throne at The Hub.

Two years later the industry is still in the process of reinventing itself digitally. But听The Washington Post听newsroom is buzzing with excitement and anticipation.

The reason? Jeff Bezos. The Amazon founder bought the paper last year for $250 million.

鈥淸Bezos] has given us a little leeway, the financial backing to experiment,鈥� Vobejda says. 鈥淭here are resources available to do new things digitally.鈥�

The paper since expanded its online staff. In March it started the 鈥淢orning Mix,鈥� a series of stories put together overnight that online readers can catch up with first thing in the morning.

Regardless of which platform the story runs on, the quality remains high.

鈥淲hen the story comes in, I make sure that it鈥檚 told in the most understandable and engaging way that pulls the readers along,鈥� Vobejda says. 鈥淚n addition to these mechanics, you need to help the reporter strive. A lot of being an editor is being a teacher.鈥�

But to survive 鈥� and enjoy 鈥� breaking news day in, day out, with marginal hours of sleep, is not just about being a good mentor or a hard worker. It鈥檚 being a team player.

Just ask Eric Rich.

鈥淭he web operation can require decision-making and editor-level guidance any time of the day or night,鈥� he says. 鈥淒ays often start before 7 a.m. and go into the night. Barbara has got a lot on her plate as well, but she recently offered to be available to digital folks one morning a week, so I would have guaranteed uninterrupted time with my kids that morning. This was a big help to me, and it was typical given how generous and fair-minded she is.鈥�

Photography by Marlon Correa,听The Washington Post (paper);听Linda Davidson,听The Washington Post