Hunter Ewen, an instructor inÌýthe Department of Critical Media Practices,Ìýhas receivedÌýgrants to fund two new projects that explore new technologies in sound collection and LED art.Ìý
"Both of these grants come back to a central theme of my research and creative work—exploring new ways of visualizing sound.ÌýThough drones and long-exposure photography may seem like disparate projects, I see them as critically important to the advancement of visualization and sound-art in the 21st century." —Hunter Ewen
First Project: Using Drones as Sound Collection ToolsÌý
Ewen received a $4,000 grant from the Ìý(±õ¸é±õ³§³§)'²õÌýÌýto pursue research and creative work focused on using drones as sound collection tools. His project will involve designing and testing recording rigs that minimize audio interference in collaboration with students from IRISS and DCMP, creating a workflow for soundscape artists and acoustic ecologists to integrate drones into their own workÌýand creating original sound-art using drone-captured recordings. The project should beÌýcompleted inÌýspring 2017.
IRISSÌýis a new multidisciplinary team at CU-Â鶹ӰԺ, created in support of theÌý initiative. Part of IRISS’s mission is to "lead the design, development and deployment of novel remote and in-situ sensing systems to exploit mobility enabled by aerospace systems."
Second Project: LEDpaint
Ewen alsoÌýreceived a $3,000 grant from the Ìýto pursue his most recent project, LEDpaint—a sonic and visual art installation that explores the relationship between sound and visualization. This project combines e-textile design, photography, sound technology, music compositionÌýand dance in a series of still images, paired with their associated sounds. LEDpaintÌýrepresents an exciting new opportunity for CMCI to collaborate with faculty, studentsÌýand staff from theÌý, the Ìýand the .
The images are long-exposure, single-subject photographs, shot in the dark and lit only by the LED lights worn and used by performers. The subjects of these shoots are dancers, musiciansÌýand movement-artists. With his team, Ewen is developing light-up gloves, leggings, dresses, shirtsÌýand shoes that will allow the subjects to performÌýunencumbered by the LEDs. The works will be largely dominated by abstract trails of LED lights, which trace the movements of a performer during an exposure. As performers pluck, strike, spin, jumpÌýand play, the sounds of their actions are recorded—to be played alongside the photographs in the installation.
ThisÌýproject is also expected to be finished in spring 2017.