Published: May 15, 2018 • By Nora I. Moriarty and Debby Sneed

Catalogue Entry听Photograph of a clear glass vessel with a flat bottom, a narrow body and a tall, narrow neck, with a small, rounded mouth, from the side against a neutral gray background.

From the Catalogue of听Ancient Glass in the University of Colorado Museum

Gift of H. Medill Sarkisian and Justine Sarkisian Rodriguez (1979)
听(2008)
Height: 11.2听cm
Diameter (max.): 1.9 cm
Roman, Late 1st century C.E.

Classification:听Isings Forms 8;听Harden Fabric 9

Description: Rounded rim, folded in. Tall cylindrical neck flares at both ends. Slight constriction toward base of neck. Smooth transition to base with slightly flared straight walls. Base concave. Green.听听near rim and central constriction, with a pale residue inside. Modern metal stand, glued to base. Blown.

Comment: Vessels of this type appear as early as Augustan times at Magdalensberg, Austria, and in the second half of the 1st century C.E. they become very numerous. For example, large quantities of them have been found at Pompeii and Herculaneum. The fabric of this specimen is suggestive of mass production, which supports a late 1st century C.E. date. Similar examples include Hayes 1975,听nos. 235, 570, 630, and 666;听Fitzwilliam Museum 1978,听no. 64b;听Fleming 1996, fig. 16;听and Whitehouse 1997, nos. 228 and 241.听

The metal stand affixed to the vessel and the and the residue inside may be evidence that this unguentarium was once used as an inkwell.

Discussion

The green color of this vessel comes from a small amount of natural metal in the ingredients. All sand used for making glass has a very small percentage of metals in it. Green glass is caused by one to three percent of iron mixed in with the sand. It is uncertain how much the ancient Roman听glassmakers听could control the tint of the glass, but they knew which metals caused which colors (1). During the听height of , colorless glass became more and more desirable. The less tinted the glass was with color, the more expensive (2).

An unguentarium was used to hold scented oil, perfume, or body lotion used by both men and women. These cosmetics were applied as soon as one awoke, then again after they bathed during the day at the local bathhouse. The most popular scents were saffron, marjoram, and roses, according to听, a 1st century C.E. Roman author听(). Inscriptions from ancient towns such as听Pozzuoli听indicate that the perfume-makers were usually in the same district as the glassworkers, suggesting that craftworkers听realized the efficiency of being near a business they were closely connected to (3).

Footnotes

  1. Donald B. Harden, Roman Glass from Karanis (Ann Arbor: University of Michigan Press, 1936): 6-9.
  2. Hugh Tait, ed. Five Thousand Years of Glass (Philadelphia: University of Pennsylvania Press, 1991): 79-82.
  3. Stuart J. Fleming,听Roman Glass: Reflections of Everyday Life听(Philadelphia: University of Pennsylvania Museum, 1997): 28-31.

References

  • Fleming, S. J.听鈥淓arly Imperial Roman Glass at the University of Pennsylvania Museum,鈥澨�Expedition听38.2听(1996): 13-37.
  • Glass at the Fitzwilliam Museum.听Cambridge: Cambridge University Press,听1978.
  • Hayes, J. W.听Roman and Pre-Roman Glass in the Royal Ontario Museum.听罢辞谤辞苍迟辞:听1975.
  • Whitehouse, D.听Roman Glass in the Corning Museum of Glass, v. 1.听Corning, NY: Corning Museum of Glass, 1997.
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