2018 Luncheon Speaker Series

Video Works by Dan Boord and Luis Valdovino

Anonymous — Tue, 11 Sep 2018 20:11:15 +0000

Video Works by Dan Boord and Luis Valdovino Anonymous (not verified) Tue, 09/11/2018 - 14:11

Friday, September 28th, 12 to 1pm, in ATLAS 311

Dan Boord

Professor Emeritus, Critical Media Practices

Luis Valdovino

Professor, Department of Art and Art History

Dan Boord is a professor Emeritus in the Department of Critical Media Practices and Luis Valdovino is a professor in the Art & Art History Department at the University of Colorado, �鶹ӰԺ. Their video works have been exhibited at The Museum of Modern Art, New York, NY; The Walker Art Center, Minneapolis, MN; Venice Biennale, Venice, Italy, Centre Georges Pompidou, Paris, France; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, Toronto Film Festival, Toronto, Canada; Oberhausen Film Festival, Germany, Robert Flaherty Film Seminar and Stedelijk Museum, Amsterdam, Holland.

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Teri Rueb

Anonymous — Wed, 05 Sep 2018 22:24:35 +0000

Teri Rueb Anonymous (not verified) Wed, 09/05/2018 - 16:24

Pause/Play: Notes on Mediated Walking and Listening

Monday, October 22nd, 12-1pm, ATLAS 311

Professor of Critical Media Practices

Her scholarly writings have been published by MIT Press, Routledge, and the University of Minnesota. Writings about her work have appeared widely and most notably in anthologies and survey texts such as “Digital Art” (Thames and Hudson, World of Art Series), “Walking and Mapping” (MIT Press), “Information Arts” (MIT Press), “Ubiquitous Computing: Complexity and Culture” (Routledge) and “Mobile Audience” (Springer).Teri Rueb is an artist and Professor of Critical Media Practices at the University of Colorado, �鶹ӰԺ. Her practice unfolds in the extended fields of sound, mobile media art and land-based critical spatial practices. She has created GPS-based interactive sound installations since 1996 and has received awards including a Prix Ars Electronica Award and nominations for the CalArts Alpert Award, the Rockefeller New Media Award and the Boston ICA Foster Prize. Her work has been supported by the Ucross Foundation, the Arnold Arboretum / Harvard University, the Isabella Stewart Gardner Museum, the Santa Fe Art Institute, La Panacée, Edith Rüss Site for New Media, The Banff Center for the Arts, the Boston Institute of Contemporary Art, Artslink, Turbulence.org, and various State Arts Councils. She lectures and presents widely at venues including Ars Electronica, ISEA, SIGGRAPH, Transmediale and IRCAM.

She has played key roles in developing new programs, curricula and doctoral degrees at the Rhode Island School of Design and the University at Buffalo, among others. She holds a doctorate from Harvard University Graduate School of Design, a master’s degree from New York University, Tisch School of the Arts, Interactive Telecommunications Program and a bachelor’s degree in Art and Literary and Cultural Studies (honors) from Carnegie Mellon University.

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Stephanie Spray

Anonymous — Sat, 09 Jun 2018 20:11:58 +0000

Stephanie Spray Anonymous (not verified) Sat, 06/09/2018 - 14:11

Recent Documentary Work on Nature/Culture in the Labor of Science and Conservation

Monday, November 5th, 12-1pm, ATLAS 311

Assistant Professor of Critical Media Practices

In this luncheon series, Stephanie Spray will talk about ongoing work on two films in-progress, Edge of Time, which she shot aboard a scientific drilling ship for ten weeks in the Pacific and Indian Oceans, and a new film in development, Patagonia Park. In both works, Stephanie is interested in how the nature/culture divide is preserved or challenged by the labor of individuals doing hands on work in service of either science or conservation. She will screen clips from both works in progress.

Stephanie Spray is a nonfiction filmmaker, anthropologist, and Assistant Professor of Critical Media Practices at the �鶹ӰԺ. Her work conjugates ethnographic methodologies with a critical nonfiction media practice, for cinema and art exhibition contexts. Her films have screened at Locarno, New York, Art of the Real, TIFF, CPH:DOX, Viennale, RIDM, AFI, Rotterdam, Open City Docs, BAFICI, and Anthology Film Archives, among others, and museums such as MoMA, the Whitney, the National Gallery, and Louisiana MoMA. The last film in her Nepal series, Manakamana, is in the permanent collection of MoMA New York and won numerous awards, including a Golden Leopard at Locarno.

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