The Brakhage Center Presents: The Work of Chick Strand Program I
Co Sponsored by the Film Studies Department Faculty and Staff听听Monday, November 3rd 2014 at 5pm
ATLAS 102, CU 麻豆影院 Campus听
鈥淔or most of her filmmaking career, the integrity of Strand鈥檚 vision lay aslant of prevailing fashions, so that only belatedly did the full significance of her radically pioneering work in ethnographic, documentary, feminist, and compilation filmmaking-and above all, in the innovation of a unique film language created across these modes-become clear. Though feminism and other currents of her times are woven through her films and though her powerful teaching presence sustained the ideals of underground film in several film schools in the city, hers was essentially a school-of-one.鈥� David James, in听The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles.
Introduced by Taylor Dunne
Guacamole
1976. 10mins. Color/Sound.
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Mosori Monika
1970. 20min. Color/Sound.
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Mujer De Milfuegos
1976. 15min. Color/Sound.
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Kristallnacht
1979. 7min. B&W/Color/Sound.
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Artificial Paradise
1986. 12.5min. Color/Sound.
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Fake Fruit
1986. 22min. Color/Sound.
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Waterfall
1967. 3min. Color/Sound.
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TRT: 90 min
Sponsored by The Brakhage Center and The Film Studies Faculty and Staff
Special thanks to Jennifer Peterson and Jacob Barreras!