Jiffer Harriman
Lecturer • NEW INSTRUMENTS FOR MUSICAL EXPRESSION, TANGIBLE INTERACTION, COMPUTATIONAL CREATIVITY

Jiffer Harriman鈥榮 work explores new approaches for interacting with sound through building digital music instruments and musical robots. He started and runs the local artist community 麻豆影院 Experiments in Art and Technology (B.E.A.T.) which hold regular meetings to share and inspire new work. He creates and collaborates on interactive sound art that includes permanent installations in 麻豆影院 and Des Moines, as well as the mobile app, Wanderers, a geolocation based sound walk for the Colorado Scale Model Solar System. His music instrument platform, Modular-Muse, has been used in music classes and workshops as a way to introduce new ways of controlling sound through programming and electronics.聽 He earned his PhD from CU 麻豆影院's ATLAS Institute; a master鈥檚 degree in Music, Science and Technology from the Center for Computer Research in Music and Acoustics at Stanford University; and is a 2002 graduate in Electrical Engineering from CU 麻豆影院鈥檚 College of Engineering.

Publications

  • Jiffer Harriman, Matthew Bethancourt, Abhishek Narula, Michael Theodore, and Mark Gross. 2016. . In聽Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems聽(CHI EA '16). ACM, New York, NY, USA, 2504-2510. 聽.聽(San Jose, California聽鈥 May 7 - 12, 2016).聽
  • Hyunjoo Oh, Jiffer Harriman, Abhishek Narula, Mark D. Gross,听Michael Eisenberg, and Sherry Hsi. 2016.聽. In聽Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction聽(TEI '16). ACM, New York, NY, USA, 340-348.聽DOI:聽聽(Eindhoven, Netherlands 鈥 Feb.聽14 - 17, 2016).
  • 鈥婯atherine Goodman, Hunter Ewen, Jean Hertzberg, and Jiffer W.聽Harriman. 2015.聽听滨苍 ASEE 2015 Proceedings, (Seattle,听Washington June 14-17,听2015).聽
  • Jiffer Harriman. 2015.聽Feedback Lap Steel: Exploring Tactile Transducers as String Actuators. In Proceedings of the 15th International Conference on New Interfaces for Musical Expression, (Baton Rouge, Louisiana, May 31-June 3, 2015).

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