Books /asmagazine/ en Flying with the man behind the capes /asmagazine/2024/09/18/flying-man-behind-capes <span>Flying with the man behind the capes</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-09-18T12:44:03-06:00" title="Wednesday, September 18, 2024 - 12:44">Wed, 09/18/2024 - 12:44</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/perez_thumbnail_0.jpg?h=7c5ac6d7&amp;itok=posVMCao" width="1200" height="600" alt="Patrick Hamilton and George Perez book cover"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/54" hreflang="en">Alumni</a> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1241" hreflang="en">Division of Arts and Humanities</a> <a href="/asmagazine/taxonomy/term/320" hreflang="en">English</a> </div> <span>Doug McPherson</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>CU Âé¶čÓ°Ôș alumnus Patrick Hamilton discusses his new book on influential comic book artist George PĂ©rez during Hispanic Heritage Month</em></p><hr><p>When alumnus&nbsp;<a href="https://resources.finalsite.net/images/v1573587006/misericordia/fu7yrde3yxap7hvfxtiq/hamilton_cv_spring2016.pdf" target="_blank" rel="nofollow">Patrick Hamilton</a> was growing up, he, like many kids, found comfort in comic books. “I’m an almost lifelong comics fan, and specifically a fan of ‘Avengers’,” Hamilton says.</p><p>As Hamilton continued enjoying comics and learning more about the people behind them, he eventually came across the name George PĂ©rez. It’s a name you may not immediately recognize, and that’s a key point Hamilton makes in his new book, <a href="https://www.upress.state.ms.us/Books/G/George-Perez" target="_blank" rel="nofollow"><em>George PĂ©rez</em></a>, which hit shelves earlier this year. &nbsp;</p><p>“The main argument of the book [is] that PĂ©rez had a larger impact on comics than he’s generally been given credit for,” says Hamilton, an English professor at Misericordia University in Pennsylvania who earned his PhD in English at the Âé¶čÓ°Ôș in 2006.</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/hamilton_and_book_cover.jpg?itok=4zjEmIBy" width="750" height="548" alt="Patrick Hamilton and George Perez book cover"> </div> <p>CU Âé¶čÓ°Ôș alumnus Patrick Hamilton (PhDEngl'06), a lifelong comics fan, highlighted the groundbreaking work of Marvel Comics and DC Comics artist&nbsp;George PĂ©rez in an eponymous new biography.</p></div></div> </div><p>But in the comic book world, the name George PĂ©rez and his work turn heads—not just for his impact on the art, style and story structure of comics, but because he was one of the first Hispanic artists to become a major name in the industry and helped pave the way for greater diversity in the field.</p><p>PĂ©rez, who worked both as an artist and writer starting in the 1970s, played a significant role in blockbuster series such as <em><a href="https://en.wikipedia.org/wiki/Fantastic_Four_(comic_book)" target="_blank" rel="nofollow">Fantastic Four</a></em>&nbsp;and&nbsp;<em><a href="https://en.wikipedia.org/wiki/The_Avengers_(comic_book)" target="_blank" rel="nofollow">The Avengers</a></em>&nbsp;for&nbsp;<a href="https://en.wikipedia.org/wiki/Marvel_Comics" target="_blank" rel="nofollow">Marvel Comics</a>. In the 1980s, he created <em><a href="https://en.wikipedia.org/wiki/New_Teen_Titans" target="_blank" rel="nofollow">The New Teen Titans</a></em>,&nbsp;which became a top-selling series for publisher <a href="https://en.wikipedia.org/wiki/DC_Comics" target="_blank" rel="nofollow">DC Comics</a>. And he developed DC Comic's landmark limited series&nbsp;<em><a href="https://en.wikipedia.org/wiki/Crisis_on_Infinite_Earths" target="_blank" rel="nofollow">Crisis on Infinite Earths</a></em>,&nbsp;followed by relaunching&nbsp;<em><a href="https://en.wikipedia.org/wiki/Wonder_Woman_(comic_book)" target="_blank" rel="nofollow">Wonder Woman</a></em>.</p><p>Hamilton says PĂ©rez is also “pretty synonymous” with large event titles, most prominently DC Comic’s <em><a href="https://www.goodreads.com/series/95514-superman-2011" target="_blank" rel="nofollow">Superman</a></em> revamp in 2011 and Marvel’s <em><a href="https://en.wikipedia.org/wiki/The_Infinity_Gauntlet" target="_blank" rel="nofollow">Infinity Gauntlet</a></em>.</p><p>“And he developed a reputation for a dynamic and hyper-detailed style, particularly in terms of the number of characters and details he’d put into a page, that was highly regarded and ultimately influential in the 
 1970s and 1980s and beyond.”</p><p>Hamilton says he sees his book as attempting to expand PĂ©rez’s legacy.</p><p>“Despite his acclaim and prominence, he hasn’t really been seen as an artist that contributed to the style and genre of comics in ways artists before him 
 are seen,” he says. “I argue in the book that PĂ©rez made contributions to the style of comics, not only in the layout of the page and what effects that could achieve, but especially in his way of building what we would call the story world around the characters, where he embraced the possibilities for the fantastic within comics.”</p><p><strong>Paving the way</strong></p><p>The book also speaks to PĂ©rez’s interest in representations of race, disability and gender, the latter of which Hamilton says PĂ©rez consciously strove to improve in his art over his career.</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/perez_comic_covers.jpg?itok=1OgN4V6P" width="750" height="573" alt="Covers of Marvel and DC comics George Perez drew"> </div> <p>Artist&nbsp;George PĂ©rez was reknown for his work with both DC Comics and Marvel Comics. (Photos: DC Comics, left,&nbsp;and Marvel Comics, right)</p></div></div> </div><p>Hamilton adds that he believes a lot of other Black, Indigenous and artists of color working today likely see PĂ©rez as “an influence and as carving out a space” for them within the industry.</p><p>“I think you can look at the significant number of Hispanic and Latinx creators working in comics today—many of them as artists—and see them as following, in some cases quite consciously, in PĂ©rez’s footsteps.”</p><p>He adds that PĂ©rez did much to help define the look and feel of modern superhero comics in the 1970s and 1980s, as did another Latino artist, JosĂ© Luis GarcĂ­a-LĂłpez.</p><p>“Garcia-Lopez, who, among other things, created the official reference artwork for DC Comics that is still much in use today. So, you have two Latino creators working in the late 20th century, when the comic book industry was even more predominantly white than it is today, and shaping the look of it.”&nbsp;</p><p>Hamilton says one of the more interesting findings about PĂ©rez that meshes with how PĂ©rez has been overlooked is a kind of “invisibility or transparency” in his art.</p><p>“It [his art] is never meant to overshadow and 
 is always in service to the story or narrative. What surprised me is how much this was a conscious choice on PĂ©rez’s part, that he never wanted his art to draw attention to itself in a way that was detrimental to the overall storytelling. It’s kind of ironic, and 
 surprising, because PĂ©rez does have one of the most recognizable styles in comics, but his goal as an artist was always to do what’s best for the realization of the story first.”</p><p><a href="https://en.wikipedia.org/wiki/George_P%C3%A9rez" target="_blank" rel="nofollow">Perez died in 2022</a> at age 67. You can see examples of his <a href="https://www.marvel.com/comics/creators/1161/george_perez" target="_blank" rel="nofollow">Marvel Comics art here</a> and his <a href="https://www.dc.com/talent/george-perez" target="_blank" rel="nofollow">DC Comics art here</a>.</p><p><em>Top image: A group scene of DC Comics characters drawn by&nbsp;George PĂ©rez (Photo: <a href="https://www.dc.com/blog/2022/06/17/george-perez-and-the-art-of-the-group-shot" target="_blank" rel="nofollow">DC Comics</a>)</em></p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about English?&nbsp;<a href="/english/donate" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>CU Âé¶čÓ°Ôș alumnus Patrick Hamilton discusses his new book on influential comic book artist George PĂ©rez during Hispanic Heritage Month.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/perez_group_illustration.jpg?itok=OIYEsIgQ" width="1500" height="788" alt> </div> </div> <div>On</div> <div>White</div> Wed, 18 Sep 2024 18:44:03 +0000 Anonymous 5980 at /asmagazine Professor Mary Rippon led a secret, separate life /asmagazine/2024/09/17/professor-mary-rippon-led-secret-separate-life <span>Professor Mary Rippon led a secret, separate life</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-09-17T15:31:39-06:00" title="Tuesday, September 17, 2024 - 15:31">Tue, 09/17/2024 - 15:31</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/rippon_header.jpg?h=7fb184f4&amp;itok=T4W0AiB3" width="1200" height="600" alt="Mary Rippon and CU Âé¶čÓ°Ôș Old Main building"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/889"> Views </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/54" hreflang="en">Alumni</a> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1241" hreflang="en">Division of Arts and Humanities</a> <a href="/asmagazine/taxonomy/term/340" hreflang="en">Germanic and Slavic Languages and Literature</a> </div> <span>Silvia Pettem</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>In book, CU Âé¶čÓ°Ôș alumnus Silvia Pettem details a little-known chapter of the trailblazing faculty member's story</em></p><hr><p>As a student at the University of Colorado, I often passed through the Mary Rippon Outdoor Theater on the way to my classes. I had assumed Rippon was a woman associated with the theater department, but that was not so. I later learned that she had arrived in Âé¶čÓ°Ôș in 1878 and became the university's first female professor. After her death in 1935, then-President George Norlin named the theater (then under construction) in her memory.</p><p>Publicly, "Miss Rippon" was highly respected by students and faculty. However, unknown to Norlin and the others, she had a secret private life that would have been considered scandalous, had she not hidden her husband and daughter behind a Victorian veil of secrecy.</p><p>The long-concealed truth was revealed in 1986 when an elderly man donated Rippon's diaries, account books, and journals to the university's archives. He was Rippon's grandson and revealed that she had had a romantic relationship with one of her students, became pregnant in 1888, secretly married, and took a year's sabbatical in Germany to give birth.&nbsp;</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/silvia_pettem_and_book_cover.jpg?itok=kiHVhnqm" width="750" height="459" alt="Silvia Pettem and Separate Lives book cover"> </div> <p>CU Âé¶čÓ°Ôș alumnus and historian Silvia Pettem (left) wrote <em>Separate Lives</em> about a little-known chapter in the life of influential CU Âé¶čÓ°Ôș Professor Mary Rippon, namesake of the campus theater.</p></div></div> </div><p>At the time, there was no rule concerning teacher-student relationships, as it never occurred to anyone to implement one. Rippon was 37, and her husband, Will Housel, was 25. When the baby, Miriam, was born, Housel was still at CU in his senior year.&nbsp;</p><p>After graduation, Housel joined his wife and daughter in Europe before Rippon returned to Âé¶čÓ°Ôș and continued to teach as if nothing in her life had changed. Housel and Miriam remained in Europe, where he attended graduate school. Initially, Miriam was placed in a series of orphanages. At the age of 4, she was taken to Rippon's extended family in Illinois.</p><p>At the time, Victorian-era society expected women with children to be supported by their husbands. If a professional woman married, she would have been accused of taking a job away from a man with a family to support. Rippon had to completely separate her public and private lives in order to keep her job. She continued to teach for 20 more years.</p><p>As a revered pioneer woman educator, Rippon appears to have valued career over family, but she may have, instead, realized that she needed to work to financially provide for her daughter's care.&nbsp;</p><p>Eventually, Rippon and Housel divorced. Housel remarried when Miriam was 8 years old and provided his daughter a home, but he lacked an adequate income. On a salary less than her male colleagues, Rippon continued to support her daughter, as well as her divorced husband, his second wife, and, eventually, their four children!</p><p>Meanwhile, Rippon was a role model for her female students, a full professor, and even chair of the Department of German language and literature. Except for confiding in two close friends, she took her secret to her grave in Âé¶čÓ°Ôș's Columbia Cemetery.</p><p>For decades, the only tangible evidence on the CU campus of Rippon's secret life was ivy that Housel had planted outside of Old Main, where Rippon held her classes. His sentiment was obvious in a poem he penned his senior year that read in part, "But the ivy is for friendship and it seemeth best of all; 'tis the rose of love and petals that will never fade or fall."</p><hr><p><em>Silvia Pettem’s </em>In Retrospect<em> column appears once a month in the </em>Daily Camera<em>, where this first appeared. She can be reached at&nbsp;</em><a href="mailto:silviapettem@gmail.com" target="_blank" rel="nofollow"><em>silviapettem@gmail.com</em></a><em>.&nbsp;She will be signing copies of&nbsp;</em>Separate Lives: Uncovering the Hidden Family of Victorian Professor Mary Rippon (Lyons Press, 2024)<em> at the <a href="https://www.boulderbookstore.net/event/silvia-pettem-separate-lives" target="_blank" rel="nofollow">Âé¶čÓ°Ôș Bookstore on Oct. 22.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>In book, CU Âé¶čÓ°Ôș alumnus Silvia Pettem details a little-known chapter of the trailblazing faculty member's story.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/rippon_header_0.jpg?itok=1Dv2OJxB" width="1500" height="751" alt> </div> </div> <div>On</div> <div>White</div> Tue, 17 Sep 2024 21:31:39 +0000 Anonymous 5978 at /asmagazine For medieval Iberian queens, love was a dangerous sickness /asmagazine/2024/08/13/medieval-iberian-queens-love-was-dangerous-sickness <span>For medieval Iberian queens, love was a dangerous sickness</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-08-13T16:45:41-06:00" title="Tuesday, August 13, 2024 - 16:45">Tue, 08/13/2024 - 16:45</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/iberia_header.jpg?h=69bd965f&amp;itok=mbH6cWY7" width="1200" height="600" alt="NĂșria Silleras-FernĂĄndez and book cover"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1241" hreflang="en">Division of Arts and Humanities</a> <a href="/asmagazine/taxonomy/term/686" hreflang="en">Research</a> <a href="/asmagazine/taxonomy/term/224" hreflang="en">Spanish and Portuguese</a> </div> <span>Blake Puscher</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>In a newly published history of the region’s female monarchs, CU Âé¶čÓ°Ôș scholar shows the connections between love, grief and madness</em></p><hr><p>Like many of their royal European counterparts of the time, the medieval queens of Spain and Portugal often married for politics, but rarely for love.</p><p>Instead, their marriages generally embodied the political intrigue facilitated by personal relationships in hereditary monarchical power structures. During a time of religious conflicts between Christian and Muslim kingdoms, as well as cultural and philosophical developments spurred by the rediscovery of Aristotle, their marriages were more political maneuvering than swooning.</p><p>And even when love was involved, it rarely ended well.</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/nuria_silleras-fernandez.jpg?itok=nApnf_M2" width="750" height="562" alt="NĂșria Silleras-FernĂĄndez"> </div> <p>NĂșria Silleras-FernĂĄndez</p></div></div> </div><p>In a newly published exploration of emotion and political power in the medieval Iberian Peninsula, which is composed largely of peninsular Spain and continental Portugal, Âé¶čÓ°Ôș scholar <a href="/spanishportuguese/nuria-silleras-fernandez" target="_blank" rel="nofollow">NĂșria Silleras-FernĂĄndez</a>, a professor of <a href="/spanishportuguese/" target="_blank" rel="nofollow">Spanish and Portuguese</a>, analyzes a time and place and the royal women who navigated the treacherous territory between heart and state.</p><p>In her book <em>The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia</em>, Silleras-FernĂĄndez focuses broadly on these powerful emotions through the individual stories of three queens, whose stories in some ways presage the issues that women in politics still face today.</p><p>Somewhat confusingly for the reader, several were named Isabel, so Silleras-FernĂĄndez gives each woman a brief distinguishing title: Isabel of Portugal (1428–96), who was the grandmother of Isabel of Aragon (1470–98) and Juana of Castile (1479–1555).</p><p>A comparative study of the three women, whom historians had not previously put together, is informative not only because their lives tell us about the politics and culture of their society, but because—despite facing similar tragedies—Juana, Isabel of Aragon, and Isabel of Portugal’s lives took very different directions.</p><p><strong><em>‘El amor es un gusano’</em></strong></p><p>According to Silleras-FernĂĄndez, these three women “suffered from very intense grief following the death of their spouses.” Their grief was ultimately viewed as excessive, in part because of the cultural attitude towards love— expressed in the poem <a href="https://allpoetry.com/Las--Maas-del-Amor" target="_blank" rel="nofollow">“Las Mañas del Amor” by Florencia del Pinar</a>, Silleras-FernĂĄndez says. “She describes love as <em>un gusano,</em> a worm.</p><p>“In medieval times, passionate love was seen as a sort of affliction. When someone was really in love, it was seen as dangerous.”</p><p>This is not to say that love had no place in court culture; in fact, according to a historian whom Silleras-FernĂĄndez cites, it was fashionable for Spanish lords to pretend to be in love.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/sf_book_cover.png?itok=wPnIJf-4" width="750" height="1125" alt="Book cover of The Politics of Emotion"> </div> <p>In&nbsp;<em>The Politics of Emotion: Love, Grief, and Madness in Medieval and Early Modern Iberia,</em> CU Âé¶čÓ°Ôș scholar&nbsp;NĂșria Silleras-FernĂĄndez notes that&nbsp;in medieval times, passionate love was seen as an affliction.</p></div></div> </div><p>Nonetheless, authentic, passionate love was seen as a personal affliction, a spiritual danger and a political vulnerability. “Passionate love was even medicalized,” Silleras-FernĂĄndez says, and in a way, it “was seen as an affliction that was tied to melancholy,” with unrequited passions causing lovesickness.</p><p>When it came to medieval Christian culture in Spain, she explains, “there was something called the religion of love. For men, their lady was not merely the object of their desire, as in courtly love; she became more important to them than God.” This was understood as a form of idolatry and therefore a violation of the second of the 10 commandments from the Bible.</p><p>Moreover, Silleras-FernĂĄndez says, “royal marriages were arranged for political purposes, so it was common for women not to be in love with their husbands. The idea was that the couple would enjoy some sort of affection and collaborate in ruling the kingdom and producing heirs.”</p><p>To the extent that it interfered with remarriage, love was even an obstacle to the political maneuverings of the royalty. Ultimately, then, passionate love “was seen as dangerous, and it was not encouraged for royal partners.”</p><p><strong>Conflict at court</strong></p><p>Isabel of Portugal, who was born in Portugal but became Queen Consort of Castile and LeĂłn through her marriage to King Juan II (as opposed to becoming a queen regnant in her own right by inheriting the throne), exemplified the dangers of “loving too much.”</p><p>According to Silleras-FernĂĄndez, the chronicles of her life suggest an unusually intense love for her husband. The conflict between her and Álvaro de Luna, the royal favorite and Constable, is an example of this.</p><p>Both Isabel and Álvaro exercised significant influence over Juan, Silleras-FernĂĄndez says: “Álvaro de Luna’s role as adviser put him in clear competition with the functions of the queen.” Isabel and her faction within the nobility and Juan’s entourage eventually won out, and she convinced the King to have Álvaro executed.</p><p>While overtly political, this situation may not seem at first to involve love. However, according to Silleras-FernĂĄndez, Álvaro wrote a letter to Juan’s advisors from prison, asking them to prevent the king from having too much sex, arguing it could compromise his health. This suggests the intimate nature of Álvaro’s interference with the king and queen’s relationship and demonstrates the importance of love to a queen consort’s political power.</p><p>Perhaps more illustratively, Isabel “felt such great pain at the death of her husband that she fell into a sickness so grave and long that she was never able to recover,” Silleras-FernĂĄndez writes, and lived the rest of her life without much political influence.</p><p><strong>Mixing politics, religion and grief</strong></p><p>Isabel of Aragon, one of Isabel of Portugal’s grandchildren, also suffered greatly after the death of her first husband. She became Princess of Portugal through her marriage to Crown Prince Afonso, and this marriage was, by all accounts, happy, Silleras-FernĂĄndez says—if brief.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/infanta_isabel_de_trastamara.jpg?itok=cREDIirH" width="750" height="1050" alt="Painting Infanta Isabel de TrastĂĄmara"> </div> <p>"Infanta Isabel de TrastĂĄmara," artist unknown.</p></div></div> </div><p>Unfortunately, Afonso died young, which caused national grief and inspired a series of consolatory texts by noted clergymen. Isabel of Aragon was “presented with works explaining that his death should be seen as an opportunity for her to become a better Christian, and that she needed to remember that it was important to love God above anyone else,” Silleras-FernĂĄndez explains.</p><p>Like her father-in-law, JoĂŁo II, Isabel received letters from important clergymen blaming the bereaved for the death of their loved ones, Silleras-FernĂĄndez explains. JoĂŁo was even accused of loving his son more than God, and informed that his son’s death was a form of retribution for this sin.</p><p>Despite Isabel’s continued mourning, she was a princess and therefore a political asset for the Catholic monarchs, most especially because she could secure a marriage alliance for them. Whether because she did not want to remarry, or because the religious messages in the consolatory letters had heightened her Catholic convictions, she requested, as a condition of her planned second marriage to Manuel I, that all the “heretics” be expelled from his kingdom, Portugal.</p><p>The exact meaning of “heretics” here is unclear, but according to Silleras-FernĂĄndez, “it probably meant that she wanted the expulsion of the Jews, the Muslims, and all the recent converts from Judaism to Christianity who had been prosecuted by the Inquisition.”</p><p>Regardless of Isabel’s motivations, it is clear that grief played a role. Hence, Silleras-FernĂĄndez says, grief and other emotions can have serious consequences when they interact with politics and religion, which were closely related in medieval and early modern times.</p><p><strong>Juana the Mad</strong></p><p>“Most people knew about Juana,” Silleras-FernĂĄndez says, “because she is famous as Juana the Mad.” Like Isabel of Aragon, she was a daughter of Isabel the Catholic, and she was the mother of the Holy Roman Emperor Charles V. Like Isabel of Portugal, her grandmother, Juana was ultimately alienated from the political power she once possessed, Silleras-FernĂĄndez explains, spending the rest of her life put away.</p><p>“The difference between her grandmother and Juana’s eldest sister Isabel was that both of them were queen consorts, while Juana was queen in her own right, and she needed to rule.”</p><p>Perhaps the most extraordinary story of Juana’s grief—also incited by the unexpected death of her husband—was her insistence on personally accompanying the king’s remains to Granada, a trip of more than 400 miles, while she was in the third trimester of pregnancy. This trip was a perpetual funerary procession, taking more than two years and including religious services at every stop.</p><p>Juana is reported to have become ill along the way, and began to not change her clothes, as well as eat and sleep on the floor. After this, her father, King Fernando, sent her to a palace in Tordesillas where she was confined for the rest of her life.</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/the_madness_of_joanna_of_castile.jpg?itok=y1p7R543" width="750" height="564" alt="The Madness of Joanna of Castile"> </div> <p>"<a href="https://www.museodelprado.es/en/the-collection/art-work/the-madness-of-joanna-of-castile/6ffe5b1e-ded1-4ff8-ab1a-f87c601d5591" target="_blank" rel="nofollow">The Madness of Joanna of Castille</a>" by&nbsp;Lorenzo VallĂ©s (1866)</p></div></div> </div><p>When she finally returned from her husband’s burial, she was in a bad place emotionally and mentally, but her condition improved. “If you read the letters that the people who were living with her sent to her son, Charles V, it was obvious that she was feeling better.</p><p>“The problem was that, when you send someone away because you have decided that person cannot rule, you cannot easily reestablish that person as a viable ruler,” Silleras-FernĂĄndez continues. “Neither her father nor her son was interested in rehabilitating Juana because they were already doing Juana’s job.” They had taken over out of necessity while Juana was gone and did not want to give up power. For her family to continue ruling, she had to be put away.</p><p>According to Silleras-FernĂĄndez, what makes her situation different from those of Isabel of Portugal and Isabel the Catholic is that the Isabels had more freedom as queen consorts. Since they were not formal rulers, they were not seen as a threat to the status quo, but “because Juana had the potential to personally take charge of the kingdom, she was dangerous.”</p><p><strong>‘Backwards and wearing high heels’</strong></p><p>These three Iberian queens embody the lesson that, as a ruler, “one needed to be perceived as someone could control their emotions, because they served as a mirror for their subjects,” Silleras-FernĂĄndez says. “A ruler needed to be in control, and the ruler needed to demonstrate balance and stability—what Aristotle called the golden mean.”</p><p>It was particularly difficult for women to present themselves this way because, she says, “as in the eyes of Aristotle, women were seen as imperfect males. It was harder for them because they were asked to perform like men but were not valued like men.&nbsp; At the same time, of course, women had to adhere to the standards and preconceptions of the time regarding gender. It’s a little bit like the old saying that Ginger Rogers had to dance as well as Fred Astaire, but in her case, going backwards and wearing high heels.</p><p>“In many ways, this is a period that is very far from today’s reality, but you would be amazed how much of the dynamics and prejudices surrounding gender and emotion are similar and how— despite the fact that we live in an age of science—medicine and health are still socially and culturally constructed. I expect that with recent events, we will see all of these dynamics at play today in the USA over the course of the next four months.”</p><p>Top image:&nbsp;<a href="https://www.museodelprado.es/coleccion/obra-de-arte/juana-la-loca/74bffb8f-dfd0-431f-88a9-eed8cb2b578f" target="_blank" rel="nofollow"><em>Juana la Loca</em><em> </em>by<em>&nbsp;</em>Francisco Pradilla y Ortiz&nbsp;(1877)</a></p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about Spanish and Portuguese?&nbsp;<a href="/spanishportuguese/giving-support-spanish-portuguese" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>In a newly published history of the region’s female monarchs, CU Âé¶čÓ°Ôș scholar shows the connections between love, grief and madness.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/juana_the_mad.jpg?itok=M9j1vNUv" width="1500" height="803" alt> </div> </div> <div>On</div> <div>White</div> Tue, 13 Aug 2024 22:45:41 +0000 Anonymous 5955 at /asmagazine Prescribing kindness in modern medicine /asmagazine/2024/07/23/prescribing-kindness-modern-medicine <span>Prescribing kindness in modern medicine</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-07-23T15:43:30-06:00" title="Tuesday, July 23, 2024 - 15:43">Tue, 07/23/2024 - 15:43</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/microaggressions_header.jpg?h=854a7be2&amp;itok=Kfy8KS0c" width="1200" height="600" alt="Heather Stewart and book cover of Microaggressions in Medicine"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1241" hreflang="en">Division of Arts and Humanities</a> <a href="/asmagazine/taxonomy/term/1180" hreflang="en">Health &amp; Society</a> <a href="/asmagazine/taxonomy/term/686" hreflang="en">Research</a> </div> <span>Doug McPherson</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>In her new book, </em>Microaggressions in Medicine<em>, CU Âé¶čÓ°Ôș alum and bioethicist Heather Stewart writes that some healthcare professionals are causing emotional and psychological harm</em></p><hr><p>Contrary to what is sworn in the Hippocratic Oath, a new book co-written by Âé¶čÓ°Ôș alumna <a href="https://cas.okstate.edu/honors/faculty/faculty_spotlight/heather_stewart.html" target="_blank" rel="nofollow">Heather Stewart</a> (MPhil'17) argues, those who vow to first do no harm are, in fact, causing harm regularly via microaggressions.</p><p>In the recently published <em><a href="https://global.oup.com/academic/product/microaggressions-in-medicine-9780197652497?cc=us&amp;lang=en&amp;" target="_blank" rel="nofollow">Microaggressions in Medicine</a></em>, Stewart defines microaggressions as “comments, actions, bodily gestures or even features of physical spaces” that subtly communicate bias or hostility toward those in marginalized groups.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/heather_stewart_mugshot.jpg?itok=3In2X42u" width="750" height="684" alt="Heather Stewart"> </div> <p>In a newly published book,&nbsp;CU Âé¶čÓ°Ôș alumna and bioethicist Heather Stewart (MPhil'17) argues that the effects of microaggressions in medicine may compound over time.</p></div></div> </div><p>“Microaggressions are particularly pernicious forms of bias or discrimination precisely because they’re frequent and subtle, and so they’re often disregarded as insignificant,” says Stewart, now an assistant professor of philosophy at Oklahoma State University. “From the perspective of those on the receiving end of microaggressions, however, they can be incredibly harmful, especially as their effects compound over time.”</p><p>A common example of microaggression, Stewart says, is misgendering a person who is trans or non-binary, referring to a person who is transmasculine with feminine identifiers such as “ma’am,” “Miss” or “Mrs.”</p><p>“When done unintentionally, the person committing the microaggression often doesn’t realize why it’s harmful, but it’s also likely that they assume their mistake is a one-off occurrence, and they fail to consider that trans and non-binary people may face misgendering regularly,” Stewart explains.</p><p>Stewart, who earned her master’s in philosophy from CU Âé¶čÓ°Ôș in 2017, adds that being misgendered, especially routinely, can be “incredibly harmful” to trans and non-binary people’s senses of who they are and how they want to be perceived and treated in the world. “From that perspective, microaggressions and their consequences really aren’t micro at all, but touch on core aspects of identity, belongingness and self-respect.”</p><p><strong>Feeling unseen</strong></p><p>In the book, Stewart and her co-writer, Lauren Freeman, describe several short- and long-term consequences of microaggressions. After a microaggression, they note, the person on the receiving end might feel confused, shocked, disrespected or unwelcomed.</p><p>“They might feel as if they’re not being seen, heard, recognized or respected,” Stewart says. “Over time, as microaggressions add up and wear on a person, they can cause real harm to one emotionally, psychologically and more. They can cause one to doubt themselves and question how others see them.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/microaggressions_in_medicine_cover.jpg?itok=zFx9aCgb" width="750" height="1124" alt="Cover of Microaggressions in Medicine"> </div> <p>“The goal is to better understand the nature of this distrust so that we can work to form better relations between these communities and the important institutions which govern our lives,” says Heather Stewart.</p></div></div> </div><p>“In medical contexts, the stakes can be incredibly high. Frequent microaggressions can cause marginalized patients to lose trust in their healthcare providers, which makes them less likely to communicate openly, and can even lead them to delay or avoid seeking medical care. This obviously has serious consequences for the health and wellbeing of marginalized people and communities.”</p><p>While she doesn’t share details of her personal healthcare experiences in the book, Stewart does say she’s had “first-hand experience” in not being taken seriously by a healthcare provider and that she’s faced “harmful consequences” such as misdiagnoses and delayed diagnoses.</p><p>“I’ve certainly been on the receiving end of microaggressions, including being doubted and dismissed when making claims of pain,” she says. “A long-term consequence of these experiences has been that my trust in healthcare has been shaken. It takes a lot for me to allow myself to be fully open and vulnerable in healthcare settings.”</p><p>But her own experiences aside, Stewart says she sees the book as a way to “amplify the voices” of others and their experiences navigating healthcare, and to think about how healthcare can and must do better by them.</p><p>A key in solving the problem, Stewart says, is to improve “structural and background conditions.”</p><p>“For example, when healthcare professionals are under intense time pressures and constraints, it can be harder to be fully thoughtful, deliberative and empathetic with patients,” she says. “And when healthcare workers haven’t been given adequate education and training about diverse identities and experiences, they might not realize how their words or actions can be harmful. This points to the need for more robust and inclusive training throughout medical education as well as continuing education.”</p><p>In a similar vein, Stewart also is studying marginalized groups’ distrust in institutions, specifically distrust that LGBTQ+ communities often have in healthcare institutions.</p><p>“The goal is to better understand the nature of this distrust,” Stewart says, “so that we can work to form better relations between these communities and the important institutions which govern our lives.”</p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about philosophy?&nbsp;<a href="/philosophy/donate" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>In her new book, Microaggressions in Medicine, CU Âé¶čÓ°Ôș alum and bioethicist Heather Stewart writes that some healthcare professionals are causing emotional and psychological harm.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/stethoscope.jpg?itok=lkeILjj9" width="1500" height="803" alt> </div> </div> <div>On</div> <div>White</div> Tue, 23 Jul 2024 21:43:30 +0000 Anonymous 5940 at /asmagazine Dystopian ‘fissures of disaster’ intensify our own world /asmagazine/2024/07/12/dystopian-fissures-disaster-intensify-our-own-world <span>Dystopian ‘fissures of disaster’ intensify our own world</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-07-12T12:55:16-06:00" title="Friday, July 12, 2024 - 12:55">Fri, 07/12/2024 - 12:55</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/rupture_files_thumbnail.jpg?h=854a7be2&amp;itok=lCWzTwWO" width="1200" height="600" alt="Nathan Alexander Moore and The Rupture Files book cover"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1240" hreflang="en">Division of Social Sciences</a> <a href="/asmagazine/taxonomy/term/510" hreflang="en">Literature</a> <a href="/asmagazine/taxonomy/term/448" hreflang="en">Women and Gender Studies</a> </div> <a href="/asmagazine/rachel-sauer">Rachel Sauer</a> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>In newly published story collection </em>The Rupture Files<em>, CU Âé¶čÓ°Ôș’s Nathan Alexander Moore explores identity and community in dystopian worlds</em></p><hr><p><a href="/wgst/nathan-alexander-moore" target="_blank" rel="nofollow">Nathan Alexander Moore</a> was thinking about the end of the world—not how to survive the apocalypse or overcome it, necessarily, or even how to fix it, but rather the decisions we make when the world collapses around us.</p><p>“Who do you become?” asks Moore, an assistant professor in the Âé¶čÓ°Ôș <a href="/wgst/" target="_blank" rel="nofollow">Department of Women and Gender Studies</a>. “What choices do we make in this new world? How do we understand ourselves, and understand ourselves in community, in the larger context of a world that is ending or starting anew?</p><p>“For me, as someone who loves all things speculative fiction, dystopias are so interesting because these worlds become dystopic because of who the events are happening to. And the largest impacts, in fiction and real life, often happen to people who are marginalized. Dystopia largely impacts people who are Black or Brown, in places that are underdeveloped and underfunded.”</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/nathan_alexander_moore.jpg?itok=1tsUfI0V" width="750" height="1000" alt="Nathan Alexander Moore"> </div> <p>Nathan Alexander Moore, an assistant professor of Black trans and queer studies in the CU Âé¶čÓ°Ôș Department of Women and Gender Studies, explores issues of identity in her newly published dystopian story collection <em>The Rupture Files</em>.</p></div></div> </div><p>From that end—or beginning—of the world was born <a href="https://www.hajarpress.com/books/the-rupture-files" target="_blank" rel="nofollow"><em>The Rupture Files</em></a>, Moore’s newly published story collection. Touted by publisher Hajar Press as “supernatural stories of life in the fissures of disaster,” Moore’s tales actually plunge deeper into the ruined Earth, with Black and queer and trans characters exploring who they are and who they might become.</p><p>“I’m very aware of all of the history and the many cultural representations that have shaped Black people, and specifically Black queer people,” Moore explains. “I feel so much in our culture and in representations in film and television and literature, that Black characters and Black queer characters either become paragons or, on the opposite end, they’re kind of the worst of the worst, the villains, the despicable ones.</p><p>“For me, it’s about telling a story about a person who is nuanced. Some will see them as the hero, some as the villain, but at the core they are a person who is learning and growing and struggling. I want to show them—to show us—as beautiful, nuanced, complex characters, and that whatever their experience is, it’s a real experience. To try to be universal would strip us of what makes it interesting.”</p><p><strong>Becoming a writer</strong></p><p>Moore, who identifies as Black and trans, was a reader before she was a writer, finding motivation to finish her homework so she could crack open an Anne Rice novel. One of the first stories she wrote and shared with other people was called “Midnight and Nocturnes”—“I was using big words,” Moore recalls, “I thought I was so cute in high school”—about a vampire who was turned in ancient Egypt.</p><p>The vampire wakes at dusk “and she’s like, ‘I’m gonna go eat some people, I’m hungry.’ Then she runs into a vampire hunter, and for the first time she pauses at killing because he has the exact eyes of someone she knew in life. She says, ‘I remember when I was human, I loved you. You broke my heart, and I loved you’ and it ends with her making a big choice whether she’s going to live or die.”</p><p>Moore wrote it when she was 16 or 17 and submitted to a contest on Facebook and ended up winning third place. “It was the first story where I very much remember writing it and thinking, ‘OK, I think I’m writing, I think I might be a writer.’ And then when I came in third, I was like, ‘Oh, she’s on her way!’ It also helped that I wrote that story when <em>Twilight</em>/<em>True Blood</em>/<em>Vampire Diaries</em> was of the moment, and I was reading all of those books.”</p><p>Through graduate school, she focused on creative writing and Black literature and cultures, delving deeper into speculative fiction through a lens of feminism and collective memory. <a href="https://repositories.lib.utexas.edu/server/api/core/bitstreams/17377431-fd25-4117-8372-edba704f00e1/content" target="_blank" rel="nofollow">Her PhD</a>, earned at the University of Texas at Austin, focused on contingency and Black temporal imaginations, and included a chapter titled “From Catastrophe to the Cataclysm: Black Speculations on the Limits of the Anthropocene &amp; the Temporality of Disasters.”</p><p>In fact, writing <em>The Rupture Files</em> wasn’t completely Moore's idea. An editor at Hajar Press saw <a href="https://www.blackwomenradicals.com/blog-feed/tectonically-speaking-writing-a-black-geopolitics-through-speculative-fiction-a-reading-list" target="_blank" rel="nofollow">a presentation she gave for Black Women Radicals</a> about writing Black geopolitics through speculative fiction and asked Moore if she wrote her own speculative fiction.</p><p>As it happened, there <em>were</em> some people she’d been living with for a while
</p><p>[video:https://www.youtube.com/watch?v=JVaoC1JgHnE&amp;t=680s]</p><p>&nbsp;</p><p><strong>‘The world we’re living in’</strong></p><p>“The first story (in <em>The Rupture Files</em>) is called ‘Sequela,’ and it’s about this far-future dystopia where the world is mostly ocean and everything is transient,” Moore says. “There were portions (of that story) I had written as series of prose poems, and they had been kind of living in my head. With the other stories, I had characters who weren’t fully realized—I had a snapshot, a photograph, they were peering over the fence and I was like, ‘Hmm, what are you doing?’ For a long time, they were thought experiments, and in writing them they became real.”</p><p>The story “Sequela” is about a woman named Shalomar, who lives in one of a series of stations in this new ocean world—“I imagine the stations like metallic squids, though I never said it in the story, and they kind of hunker on land and then jump around,” Moore explains—and whose job is station archivist. Whatever the station pulls out of the ocean, it’s her job to analyze it and think about its historical value. As a Black woman, Shalomar had been trying to document Black history before the apocalypse, and after it she discovered that the water wanted her to tell a different story, as did the mermaids.</p><p>In a story called “Ashes for Your Beauty,” Moore tells the story of a woman who is the consort (read: food source) of a vampire in a bombed-out, post-nuclear world, who discovers that she has power, and she can make power. “So, she has to decide, ‘Am I going to stay in this life that’s very scary and terrible but stable, or burn shit down?’” Moore says.</p><p>Writing the four stories in <em>The Rupture Files</em> was a different experience from the novel manuscript Moore wrote while earning her master’s.</p><p>“I was thinking about narrative arcs, about character development, who is the main person, whose perspective feels the most interesting,” Moore says. “I was balancing the expansiveness of living in a brand-new world that even I didn’t know all the rules of and also making it containable in short form. It was a steep learning curve but really fun.”</p><p>It also, she says, allowed her to more deeply consider the world as it currently is: “What’s always interesting about dystopias is they are projected as far futures, but any time someone’s writing a dystopia, they’re writing about the present—expanded and intensified, but the present. Dystopic writing is really about looking out at the world we’re living in today.”</p><p><em>Top: Background dystopia&nbsp;image by <a href="https://www.artstation.com/artwork/nQzqqK" target="_blank" rel="nofollow">Daniele Gay</a></em></p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about women and gender studies?&nbsp;<a href="https://giving.cu.edu/fund-search?field_fund_keywords%5B0%5D=938" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>In newly published story collection The Rupture Files, CU Âé¶čÓ°Ôș’s Nathan Alexander Moore explores identity and community in dystopian worlds.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/rupture_files_header_0.jpg?itok=nLQhZz8y" width="1500" height="843" alt> </div> </div> <div>On</div> <div>White</div> Fri, 12 Jul 2024 18:55:16 +0000 Anonymous 5936 at /asmagazine Balancing fraught history and modern collaboration in America’s ‘best idea’ /asmagazine/2024/06/24/balancing-fraught-history-and-modern-collaboration-americas-best-idea <span>Balancing fraught history and modern collaboration in America’s ‘best idea’</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-06-24T15:17:55-06:00" title="Monday, June 24, 2024 - 15:17">Mon, 06/24/2024 - 15:17</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/rmnp_dream_lake.jpg?h=445626ba&amp;itok=P8VQo44j" width="1200" height="600" alt="Dream Lake in Rocky Mountain National Park"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/612" hreflang="en">Center of the American West</a> <a href="/asmagazine/taxonomy/term/1240" hreflang="en">Division of Social Sciences</a> <a href="/asmagazine/taxonomy/term/484" hreflang="en">Ethnic Studies</a> <a href="/asmagazine/taxonomy/term/1202" hreflang="en">Indigenous peoples</a> <a href="/asmagazine/taxonomy/term/1201" hreflang="en">Natives Americans</a> <a href="/asmagazine/taxonomy/term/686" hreflang="en">Research</a> </div> <a href="/asmagazine/rachel-sauer">Rachel Sauer</a> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>In new book, CU Âé¶čÓ°Ôș scholar Brooke Neely explores pathways to uphold Native sovereignty in U.S. national parks</em></p><hr><p>Since Yellowstone became the United States’ first national park in 1872, these parks have existed in a dual space—praised, per author Wallace Stegner, as “the best idea we ever had. Absolutely American, absolutely democratic, they reflect us at our best rather than our worst," while existing on Native lands.</p><p>National parks “have a fraught history in the United States and globally with respect to Indigenous lands. The creation of U.S. national parks in the late 19th and early 20th centuries was part of a broader project to dispossess Native peoples of their homelands,” writes <a href="/center/west/brooke-neely" target="_blank" rel="nofollow">Brooke Neely</a>, a research fellow in the Âé¶čÓ°Ôș <a href="/center/west/" target="_blank" rel="nofollow">Center of the American West</a>, and her co-editors <a href="https://www.oupress.com/author/christina-gish-hill" target="_blank" rel="nofollow">Christina Gish Hill</a>&nbsp;and <a href="https://www.oupress.com/author/matthew-j-hill" target="_blank" rel="nofollow">Matthew J. Hill</a> in <a href="https://www.oupress.com/9780806193687/national-parks-native-sovereignty/" target="_blank" rel="nofollow"><em>National Parks, Native Sovereignty: Experiments in Collaboration</em></a><em>,</em> a recently published collection of case studies and interviews exploring pathways for collaboration that uphold tribal sovereignty.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/brooke_neely.jpg?itok=pkfAOIyh" width="750" height="1166" alt="Brooke Neely"> </div> <p>Brooke Neely, a research fellow in the Âé¶čÓ°Ôș Center of the American West, co-edited&nbsp;<em>National Parks, Native Sovereignty: Experiments in Collaboration.</em></p></div></div> </div><p>“There’s a tension between the ugly history of U.S. national parks and the ongoing efforts to assert Native peoples’ sovereign rights to these lands,” Neely explains. “A goal with this book is to rethink relationships between national parks and tribal nations, especially in light of shifts in federal policies over the past 20 years. It’s helpful to think that not everyone is going to come to the table with the same goals or interests, but we can find some room for collaboration.</p><p>“So, there are some discrepancies in terms of how the park service understands its job and the land resources, how it separates cultural resources versus natural resources, and the perspectives of tribes who may not distinguish between the two because they see the whole landscape as important or meaningful.”</p><p><strong>Perspective of the tribes</strong></p><p>Neely became interested in U.S. national parks and Native peoples in graduate school, when she studied Mount Rushmore and Crazy Horse Memorial in South Dakota’s Black Hills. Both sites exist on Native land, “so I was looking at how they grapple with this contested history,” Neely says. “How do national park sites work to include more people and tell a broader story?”</p><p>During the time Neely was doing her PhD research, <a href="/center/west/gerard-baker" target="_blank" rel="nofollow">Gerard Baker</a>, a member of the Mandan-Hidatsa Tribe of the Fort Berthold Indian Reservation, became superintendent of Mount Rushmore National Memorial—the first Native American to earn the position. “I got interested in what he was working to do there,” Neely says, “bringing in the perspectives of the tribes, creating exhibits, bringing in Native speakers.”</p><p>In 2016, Neely was one of several researchers from the Center of the American West and the CU Âé¶čÓ°Ôș <a href="/cnais/" target="_blank" rel="nofollow">Center for Native American and Indigenous Studies</a> to begin working with representatives from Rocky Mountain National Park and members of area tribes to expand interpretive programs and build collaborative relationships with the tribes.</p><p>Through this work and research she previously conducted for the 2014 sesquicentennial of the Sand Creek Massacre, Neely met Christina Gish Hill, an associate professor of anthropology and American Indian studies at Iowa State University, and Matthew Hill, an applied anthropologist who was principal investigator for two National Park Service projects focused on early American treaty-making and the Black Hills as a contested heritage landscape, her co-editors on <em>National Parks, Native Sovereignty. </em></p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/national_parks_native_sovereignty.jpg?itok=LP7iQGG6" width="750" height="1140" alt="Book cover of National Parks, Native Sovereignty"> </div> <p><em>National Parks, Native Sovereignty</em><i>&nbsp;</i>presents<i>&nbsp;</i>case studies and interviews exploring pathways for collaboration in national parks that uphold tribal sovereignty.</p></div></div> </div><p>Between 2016 and 2019, the researchers worked together on an ethnographic overview and assessment of Mount Rushmore for the National Park Service, seeking to understand the meaning of Mount Rushmore for Native people.</p><p><strong>Talking about history</strong></p><p>The idea for <em>National Parks, Native Sovereignty</em> came, in part, from a desire to highlight case studies from National Park Services sites, focusing on contemporary efforts to address the colonial history of U.S. national parks through research, outreach and collaborative partnerships with tribal nations, Neely says. It includes interviews with Gerard Baker and Max Bear, the tribal historic preservation officer for the Cheyenne and Arapaho tribes of Oklahoma, among others, as well as research and commentary from scholars and historians.</p><p>“Our goal was to represent a wide range of folks and the kind of work that’s being done currently,” Neely says. “There’s a federal mandate to consult with tribal nations, and it’s a unique mandate because tribes have sovereignty, so these interactions are government-to-government, and consultation can vary considerably across park sites.</p><p>“We focused on efforts over the last 15, 20 years to broaden that consultation and engagement. We wanted to look at what parks are doing to build relationships, to establish co-stewardship or co-management or some steps toward that.”</p><p>Neely and her co-editors chose interviews and scholarship that represent a range of national parks, “some of them in very emergent stages of exploring this kind of work, all the way to ones that have some kind of co-management relationship with tribes,” Neely says.</p><p>For example, <a href="/asmagazine/2022/06/15/indigenous-scholar-investigates-changing-relationship-fish-people" target="_blank" rel="nofollow">Natasha Myhal</a>, who earned her PhD in the CU Âé¶čÓ°Ôș Department of Ethnic Studies, wrote about indigenous connections at Rocky Mountain National Park, and <a href="/ethnicstudies/people/core-faculty/clint-carroll" target="_blank" rel="nofollow">Clint Carroll</a>, an associate professor of Native American and Indigenous studies in the Department of Ethnic Studies, focused on Cherokee medicine keepers and the making of a plant-gathering agreement at Buffalo National River in Arkansas.</p><p>“There are 574 federally recognized tribal nations with different views on how they want to engage with public land agencies,” Neely says. “We consider the painful histories, the lands that have been taken illegally, the customs and traditions that existed for centuries before the parks were established. So, this book looks at the push and pull of this conflict and collaboration, and at the way we educate and talk about our shared history and shared landscapes in this country.”</p><div class="ucb-box ucb-box-title-left ucb-box-alignment-none ucb-box-style-fill ucb-box-theme-lightgray"> <div class="ucb-box-inner"> <div class="ucb-box-title">CU Âé¶čÓ°Ôș scholar documents plant-gathering agreement </div> <div class="ucb-box-content">In April 2022, the Cherokee Nation and the National Park Service <a href="https://www.cherokee.org/media/wlhlfqwk/2022-03-cth.pdf" target="_blank" rel="nofollow">signed a landmark agreement</a> to designate a 1,000-acre site along the <a href="https://www.nps.gov/buff/index.htm" target="_blank" rel="nofollow">Buffalo National River</a> in Arkansas as the Cherokee Nation Medicine Keepers Preserve.<p>Under the agreement, the National Park Service will issue an annual permit to the Cherokee Nation to gather 76 types of plants within the national river area, and the Cherokee Nation agrees to provide a list of those who will be gathering plants.</p><p>For <a href="/ethnicstudies/people/core-faculty/clint-carroll" target="_blank" rel="nofollow">Clint Carroll</a>, an associate professor of <a href="/cnais/" target="_blank" rel="nofollow">Native American and Indigenous studies</a> in the <a href="/ethnicstudies/" target="_blank" rel="nofollow">Department of Ethnic Studies</a> and citizen of the Cherokee Nation, the agreement was a significant moment in his longtime work and research with the Cherokee people in Oklahoma on issues of land conservation and the perpetuation of land-based knowledge and ways of life.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/clint_carroll.jpg?itok=1ccbmTny" width="750" height="914" alt="Clint Carroll"> </div> <p>Clint Carroll, an associate professor of Native American and Indigenous studies in the Department of Ethnic Studies and citizen of the Cherokee Nation, collaborated with Cherokee Medicine Keepers and research colleagues to study the desirability and feasibility of a plant-gathering agreement in Buffalo National River.</p></div></div> </div><p>In most situations, taking plants from national park land is against federal law, but a <a href="https://www.ecfr.gov/current/title-36/chapter-I/part-2/section-2.6" target="_blank" rel="nofollow">2016 rule</a> protected plant gathering by members of federally recognized tribes. The Cherokee Medicine Keepers, with whom Carroll closely works, contributed “their expertise on land-based knowledge and stewardship practices that provided the basis for such a landmark agreement,” <a href="https://parks.berkeley.edu/psf/?p=1657" target="_blank" rel="nofollow">Carroll wrote</a>.</p><p>The Cherokee Medicine Keepers also were the experts with whom Carroll and his co-researchers—Richard Stoffle, a professor of anthropology at the University of Arizona, and Michael Evans, a cultural anthropologist with the National Park Service—partnered while studying&nbsp;the desirability and feasibility of the Buffalo National River agreement, which research they detailed in “Returning to Gather: Cherokee Medicine Keepers, the National Park Service and the Making of a Plant-Gathering Agreement at Buffalo National River” for the book <a href="https://www.oupress.com/9780806193687/national-parks-native-sovereignty/" target="_blank" rel="nofollow"><em>National Parks, Native Sovereignty</em></a>.</p><p>“It was a multiyear collaboration that entailed multiple visits to the park and meetings with the elders,” Carroll explains. “One visit was to make sure the places elders would be gathering were safe and had amenities for them. The next visit entailed an ethnobotanical study, where a team of researchers from the University of Arizona interviewed the elders during a two-day event at Buffalo National River, asking them about the plants that would make up the list that is now represented through the agreement.”</p><p>Plants such as wild onion, sage, bloodroot, wild indigo and river cane have long been important to citizens of the Cherokee Nation for food, medicine, art and other purposes, Carroll explains. However, patchwork land divisions with differing ownership, as well as habitat loss related to climate change, have made some of these plants harder to access and harder to find.</p><p>In fact, many tribes still feel the effects of the <a href="https://www.archives.gov/milestone-documents/dawes-act" target="_blank" rel="nofollow">Dawes Act</a>, which divided communally held tribal lands into individually owned private property, so lands where Cherokee people had long gathered plants “can be private property, state land, other types of lands that Cherokee people simply don’t have access to anymore,” Carroll says.</p><p>“It’s an issue of not only limited access to land, but those places where Cherokee people were gathering, the plants they were seeking were less prevalent. So, it was these compounding factors that led to thinking about what else can we do to ensure that Cherokee people can continue to gather into generations beyond this one.”</p></div> </div> </div><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about the American West?&nbsp;<a href="https://giving.cu.edu/fund/center-american-west-quasi-endowment-fund" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>In new book, CU Âé¶čÓ°Ôș scholar Brooke Neely explores pathways to uphold Native sovereignty in U.S. national parks.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/rmnp_dream_lake.jpg?itok=325F7UlA" width="1500" height="827" alt> </div> </div> <div>On</div> <div>White</div> Mon, 24 Jun 2024 21:17:55 +0000 Anonymous 5927 at /asmagazine For some women, STEM may not be the great equalizer /asmagazine/2024/06/17/some-women-stem-may-not-be-great-equalizer <span>For some women, STEM may not be the great equalizer</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-06-17T00:00:00-06:00" title="Monday, June 17, 2024 - 00:00">Mon, 06/17/2024 - 00:00</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/disparate_measures_thumbnail.jpg?h=854a7be2&amp;itok=I8J71Aye" width="1200" height="600" alt="Susan Averett and Disparate Measures book cover"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/54" hreflang="en">Alumni</a> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1240" hreflang="en">Division of Social Sciences</a> <a href="/asmagazine/taxonomy/term/130" hreflang="en">Economics</a> <a href="/asmagazine/taxonomy/term/686" hreflang="en">Research</a> </div> <span>Chris Quirk</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>In newly published book, CU economics alumna Susan Averett analyzes whether STEM fields offer an equal path to prosperity for all women</em></p><hr><p>When Susan Averett began her study of economics as an undergraduate, she recalls that the prevailing credo in the discipline was to adhere closely to the analysis of production, consumption and related topics.</p><p>That changed when she arrived at the Âé¶čÓ°Ôș to begin work on her PhD in economics. “I got really interested in the economics of gender, and (former faculty member) Elizabeth Peters, a true mentor in every sense of the word, was absolutely instrumental in that,” Averett says.</p><p>Peters taught courses in labor economics and economic demography that expanded Averett’s thinking. “It made me understand that economics can be used to look at questions like fertility, marriage and discrimination—things outside the purview of mainstream economics.”</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/susan_averett.jpg?itok=Y1z-jGBF" width="750" height="623" alt="Susan Averett"> </div> <p>CU Âé¶čÓ°Ôș economics alumna Susan Averett researches the economics of gender, with a focus on labor and health economics and gender outcomes.</p></div></div> </div><p>What she learned about economics at CU Âé¶čÓ°Ôș informed <a href="https://mitpress.mit.edu/9780262048866/disparate-measures/" rel="nofollow"><em>Disparate Measures: The Intersectional Economics of Women in STEM Work</em></a>, her recently released book written with Mary Armstrong.</p><p>Averett, now the Charles A. Dana Professor of Economics at Lafayette College in Pennsylvania, has gone on to become a renowned scholar in the field of economic demography, which looks at how economic factors affect various groups of people in society. Her work to date encompasses labor and health economics, with a focus on gender outcomes.</p><p>In <em>Disparate Measures</em>, Averett and Armstrong analyze how different groups of women have fared in STEM fields, and whether the presumption that STEM jobs broadly present a pathway to prosperity holds up.</p><p><strong>Well-documented pay gap</strong></p><p>The pay gap between women and men in the workplace is well documented, Averett notes. A <a href="https://www.pewresearch.org/social-trends/2023/03/01/the-enduring-grip-of-the-gender-pay-gap/" rel="nofollow">Pew Research Center report</a> last year found that white women earned 83% of what white men earned, and Black and Hispanic women earned far less. And while the report stated that the proportion of women in managerial positions in STEM fields was on the rise, they are nowhere near parity with men.</p><p>Averett says the idea for the book was to analyze exactly how much women had benefitted from STEM employment—sometimes called the STEM premium—and to do it in a granular way, looking at subgroups of women to identify differences in outcomes for women in varied demographics.</p><p>“The idea is that STEM is being sold as this great equalizer for women, good for innovation and good for the economy,” Averett says. “We took a different tack, and asked what actually happens once women are in the workforce.”</p><p>In the book, Averett and Armstrong, whose field is women and gender studies, worked from the massive trove of economic and demographic data in the American Community Survey, which the U.S. Census Bureau generates from questionnaires sent to a large sample of households.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/disparate_measures_cover.jpg?itok=b03mOUMC" width="750" height="1126" alt="Disparate Measures book cover"> </div> <p><em>Disparate Measures</em> analyzes how different groups of women have fared in STEM fields, and whether the presumption that STEM jobs broadly present a pathway to prosperity holds up.</p></div></div> </div><p>Averett and her colleague wrote eight case studies on different subgroups of women, four on more standard demographics (Black women, American Indian and Alaska Native women, Asian and Pacific Islander women and Hispanic/Latina women), and four on groups of women not often separated out in studies of this kind (foreign-born women, women with disabilities, Queer women, and mothers).</p><p>The approach is what Averett calls an economic analysis of the population groups in an intersectional way, meaning that the study takes into account that people belong to more than one demographic group at the same time, such as women who are Black, or a men who have a disability.</p><p>“Everybody has different identities, and the idea was to make groups that have been invisible, visible,” Averett explains. “For example, with Black women, we looked at foreign-born Black women versus native-born Black women. With Asian women, we separate out Pacific Islander from AAPI, because they are usually grouped together.”</p><p><strong>Inequality in the STEM economy</strong></p><p>The results of the analysis are stark. Among Black women, 2.7% work in a STEM field, as opposed to 11% of white men. “In general, Black women as compared to white non-Hispanic men are poorly represented in the fields of engineering and STEM management,” Averett says. “Furthermore, Black women do not have wage parity with white men in any area of STEM work. They earn 75% of white men’s wages in STEM management, 76% in computer or math jobs, 78% in the physical and life sciences and 79% in engineering.”</p><p>In STEM-related occupations, such as medical fields, foreign-born Black women earn more than those born in the United States, across the board, she notes.</p><p>Averett says she hopes that this granular study will prompt policymakers and those who manage personnel in STEM fields to think equality in STEM. “Our use of an intersectional lens allows us to see that economic inequality is woven into the STEM economy. STEM wage gaps should be part of our thinking about how groups fare in STEM, but a continued focus on the STEM premium distracts from that.”</p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about economics?&nbsp;<a href="/economics/news-events/donate-economics-department" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>In newly published book, CU economics alumna Susan Averett analyzes whether STEM fields offer an equal path to prosperity for all women.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/women_in_stem_header.jpg?itok=-7YX-nBj" width="1500" height="844" alt> </div> </div> <div>On</div> <div>White</div> Mon, 17 Jun 2024 06:00:00 +0000 Anonymous 5925 at /asmagazine Horsepower: Professor unveils a new history of horses /asmagazine/2024/06/11/horsepower-professor-unveils-new-history-horses <span>Horsepower: Professor unveils a new history of horses</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-06-11T13:10:30-06:00" title="Tuesday, June 11, 2024 - 13:10">Tue, 06/11/2024 - 13:10</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/hoof_beats_thumbnail.jpg?h=c1ce04ee&amp;itok=bQndAYIF" width="1200" height="600" alt="Images of horse artifacts and paintings"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/244" hreflang="en">Anthropology</a> <a href="/asmagazine/taxonomy/term/1129" hreflang="en">Archaeology</a> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1240" hreflang="en">Division of Social Sciences</a> <a href="/asmagazine/taxonomy/term/278" hreflang="en">Museum of Natural History</a> <a href="/asmagazine/taxonomy/term/686" hreflang="en">Research</a> </div> <span>Doug McPherson</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>In his upcoming book, ‘Hoof Beats: How Horses Shaped Human History,’ William Taylor writes that today’s world has been molded by humans’ relationship to horses</em><em> </em></p><hr><p>Nearly a million years ago in what is now southern England, human ancestors called <em>Homo heidelbergensis</em> were creating tools from horse bones. Fast forward to about 30,000 years ago, and humans across Europe and northern Eurasia were regularly painting horses on cave walls and carving their likenesses from bone and ivory.</p><p>“The connection between people and horses is among the most ancient connections that we have with the animal world,” says <a href="/anthropology/william-taylor" target="_blank" rel="nofollow">William Taylor</a>, an assistant professor of anthropology at the Âé¶čÓ°Ôș and curator of archaeology for the CU Âé¶čÓ°Ôș Museum of Natural History.</p><p>But Taylor says it’s what happened about 4,000 years ago that really changed things. That’s when people living in the grasslands near the Black Sea first domesticated horses.</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/william_taylor.jpg?itok=0KidzXux" width="750" height="601" alt="William Taylor"> </div> <p>William Taylor, a CU Âé¶čÓ°Ôș assistant professor of anthropology and curator of archaeology for the CU Âé¶čÓ°Ôș Museum of Natural History, notes that "the connection between people and horses is among the most ancient connections that we have with the animal world.”</p></div></div> </div><p>And when that happened, Taylor says the effect on the world and the centuries that followed was not a gradual development “but a sudden jolt, a shock to the system” that influenced nearly every aspect of human life―revolutionizing things like transportation, agriculture and warfare.</p><p>“After domestication, horses spread like wildfire, stampeding into new societies, creating new partnerships with people that shook up the structure of the ancient world almost&nbsp;everywhere they went,” he explains.&nbsp;</p><p>It’s just one of the many insights in Taylor’s new book <em><a href="https://www.ucpress.edu/book/9780520380677/hoof-beats" target="_blank" rel="nofollow">Hoof Beats: How Horses Shaped Human History</a></em>, available Aug. 6. Taylor’s book also has received the <a href="/anthropology/2024/04/19/will-taylor-receives-kayden-book-award" target="_blank" rel="nofollow">spring 2024 Kayden Book Award</a> from the CU Âé¶čÓ°Ôș College of Arts and Sciences, with a $5,000 award&nbsp;given annually to a book representing excellence in history and the arts.</p><p>In the book, Taylor offers a broad swath of the horse-human connection along with new findings based on more than a decade of researching horse domestication and archeological fieldwork around the globe―in places like the Eurasian steppes, the mountains of inner Asia, the&nbsp;pampas&nbsp;of Argentina and the Great Plains of North America.</p><p>“These are places and cultures that have had a tremendous impact on human history, but factors like low population densities, tough weather, difficult fieldwork, lack of written records and bias from written records that do exist have all helped keep that story from being properly integrated into the bigger picture,” Taylor says.</p><p><strong>Breaking new ground</strong></p><p>Taylor is helping break new ground with his scientific perspective on horse domestication, the timing and origins of which scholars have argued over for decades. Taylor says his book tells “a very different narrative” about the origins of horse domestication, one that’s grounded in interdisciplinary science.&nbsp;</p><p>One of the book’s main threads, he says, is to understand that nearly all of the most important facts about horses can be told well only by combining other kinds of information with archaeology.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/hoof_beats_cover.jpg?itok=_oDSTQFp" width="750" height="1125" alt="Hoof Beats cover"> </div> <p>William Taylor's book&nbsp;<em>Hoof Beats: How Horses Shaped Human History&nbsp;</em>has received the <a href="/anthropology/2024/04/19/will-taylor-receives-kayden-book-award" target="_blank" rel="nofollow">spring 2024 Kayden Book Award</a> from the CU Âé¶čÓ°Ôș College of Arts and Sciences.</p></div></div> </div><p>“The book relies first and foremost on the archaeological record, and to pair the most cutting-edge and up-to-date scientific information with all the other insights we gain from things like ecology, evolutionary biology, oral traditions, historical records and everything in between.”</p><p>The book connects this new understanding of horse domestication with new insights into the timing of key innovations, including the origins of horse cavalry and equipment like the saddle and stirrup, which seem to be “closely intertwined with cultures from the steppe,” Taylor says.&nbsp;</p><p>One of Taylor’s newest findings is the role ancient people in Mongolia played in innovating the saddle and the stirrup, two technologies that Taylor says most people take for granted today, but which really revolutionized what people could do while mounted.</p><p>“Saddles and stirrups allowed folks to do all sorts of things on horseback that were harder before, like staying mounted with heavy armor, bracing for impact with heavy weapons like lances or standing in the saddle for archery. Our recent collaborative scholarship shows that Mongolian cultures were doing this by the 4th or 5th&nbsp;centuries.”</p><p>To understand Taylor’s interest in horses, he says it helps to look at his own history. “I first became interested in the human-horse story as a way of understanding my family and their own past,” he says.</p><p>His grandfather was a cowboy, and Taylor’s dad grew up with horses, too. Taylor is from the first generation in his family that didn't grow up with horses.</p><p>“So, when I started studying the ancient world, I was immediately drawn to understanding horses. One of my first experiences as a student was getting to study the skeleton of a 2,500-year-old horse. That’s when I became really curious about all the things we could learn about people through the study of horse remains. Living in places like Montana or Colorado today, we are still in a legacy horse culture.”</p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about anthropology?&nbsp;<a href="/anthropology/donate" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>In his upcoming book, ‘Hoof Beats: How Horses Shaped Human History,’ William Taylor writes that today’s world has been molded by humans’ relationship to horses.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/hoof_beats_header.jpg?itok=ohYiGSKN" width="1500" height="846" alt> </div> </div> <div>On</div> <div>White</div> Tue, 11 Jun 2024 19:10:30 +0000 Anonymous 5915 at /asmagazine Ghost stories: understanding a present haunted by the past /asmagazine/2024/06/07/ghost-stories-understanding-present-haunted-past <span>Ghost stories: understanding a present haunted by the past</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-06-07T11:49:15-06:00" title="Friday, June 7, 2024 - 11:49">Fri, 06/07/2024 - 11:49</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/mud_blood_and_ghosts_thumbnail.jpg?h=f60dd1ea&amp;itok=IijRTefU" width="1200" height="600" alt="Julie Carr and Mud, Blood and Ghosts book cover"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/346"> Books </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1241" hreflang="en">Division of Arts and Humanities</a> <a href="/asmagazine/taxonomy/term/1240" hreflang="en">Division of Social Sciences</a> <a href="/asmagazine/taxonomy/term/320" hreflang="en">English</a> <a href="/asmagazine/taxonomy/term/686" hreflang="en">Research</a> <a href="/asmagazine/taxonomy/term/448" hreflang="en">Women and Gender Studies</a> </div> <span>Blake Puscher</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>A CU Âé¶čÓ°Ôș poet considers the socioeconomic and political environment of the turn of the 20th century through the history of her own family</em></p><hr><p><em>Mud, Blood, and Ghosts</em> is not a typical history book.</p><p>To write it, <a href="/english/julie-carr" target="_blank" rel="nofollow">Julie Carr</a> delved not just into archives and manuscripts, but also into <a href="https://www.juliecarrpoet.com/mud-blood-and-ghosts" target="_blank" rel="nofollow">her own family’s history</a><em>—</em>specifically, the story of her great-grandfather Omer Kem, a People’s Party politician who served three terms in the U.S. House of Representatives representing Nebraska between 1891 and 1897. Kem’s story weaves everything from populism to eugenics to spiritualism, and represents a broader narrative of a particular time, place and people in the American West.</p><p>Subtitled “Populism, Eugenics, and Spiritualism in the American West,” the book, through Kem, tells the story of how factors as disparate as economic inequity, water scarcity and scientific racism, among many others, shaped the region and the country and still resonate politically and socially today.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/julie_carr_0.jpg?itok=PG81Ih_Q" width="750" height="693" alt="Julie Carr"> </div> <p>Julie Carr, a CU Âé¶čÓ°Ôș professor of English and&nbsp;chair of the Department of Women and Gender Studies, plumbed her family's history to write <em>Mud, Blood, and Ghosts</em>.</p></div></div> </div><p>In crafting the book, which was published last year, Carr, a Âé¶čÓ°Ôș professor of <a href="/english/" target="_blank" rel="nofollow">English</a> and <a href="/wgst/julie-carr" target="_blank" rel="nofollow">chair of the Department of Women and Gender Studies</a>, blended historical exposition with poetic language, a way of writing that she says is essential for expressing complex emotions. Because of the personal nature of the subject, Carr says, she was interested in speaking from her own perspective in the present as well as from Kem’s perspective in the past, demonstrating the idea that history is always with us.</p><p>In this sense, the reference to ghosts in the title has a double meaning, not just refering to 19th century spiritualists, but how “we are haunted by our pasts. They are with us all the time, and they are directing what we do,” Carr says.</p><p>“To acknowledge that is to take responsibility for it, to think, ‘Given all of that, what is my responsibility to the future and to the present?’”</p><p><strong>A farmer’s populism</strong></p><p>Omer Kem was born in 1855 in Hagerstown, Indiana, to an itinerant and largely unsuccessful farmer who often moved his family to find better work. Kem’s family was ravaged by disease and continuing financial instability, so he set out on his own, ultimately moving to Nebraska. As a young man, he farmed through government programs like the Swamp Lands Act and the Homestead Act, but failed due to infertile conditions. Many farmer settlers in Nebraska were in a similar situation, falling into debt as the seeds they sowed blew away in the hot winds of the region’s 1889-1899 drought.</p><p>When Kem ran for and won a seat in Congress, his experiences inspired him to join the populist movement of the time along with many rural farmers and other people living in poverty. The movement was a response to the economic and social conditions of the Gilded Age, according to Carr:</p><p>“Both urban laborers and rural laborers were left in the lurch,” as the former lacked protections like the eight-hour workday and the latter faced unregulated crop prices and railroad rates, among other issues. Meanwhile, with no graduated income tax, the people at the top did not pay more, and there was no significant social safety net at that time.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/mud_blood_and_ghosts_cover.jpg?itok=x-U9kE7V" width="750" height="1125" alt="Mud Blood and Ghosts book cover"> </div> <p><em>Mud, Blood, and Ghosts</em> details how factors as disparate as economic inequity, water scarcity and scientific racism, among many others, shaped the American West and the country and still resonate politically and socially today.</p></div></div> </div><p>“All of these things combined with the problem of weather and climate in the Plains states,” Carr says. Many poor farmers had moved to states in the Great Plains region during the mid- and late-19th century following the Homestead Act, but in dry climates, the land couldn’t produce without massive irrigation. In the South, where climate was not the issue, “we’re looking at a totally different dynamic having to do with the end of Reconstruction, and poverty among Black farmers especially.”</p><p>What unites the People’s Party with today’s populists might be its criticism of the societal elite, Carr says, “coupled with the demand for greater representation in politics. I think a lot of people would say that many contemporary American populists, on the right or the left, are people who for various reasons have not felt included in the political system.”</p><p><strong>American eugenics at the turn of the 20th century</strong></p><p>Kem also was influenced by the racial segregation and fear of “mixing races” that was both commonplace and largely unchallenged for several generations after the Civil War. &nbsp;Along with large swathes of the American public, Carr says, Kem came to believe in the ideology of <a href="https://www.genome.gov/about-genomics/fact-sheets/Eugenics-and-Scientific-Racism" rel="nofollow">eugenics</a>, a term coined to describe attempts at increasing the number of people with “superior” mental and physical traits through the human equivalent of selective breeding. It grew, in part, from elements of Charles Darwin’s theory of evolution, particularly the heritability of traits.</p><p>“The science itself was not very detailed,” Carr explains. “It was the beginning of an understanding of how genetics works. That science got married to criminology, ideas around welfare, the problems that came with urbanization, the first wave of the Great Migration and the huge numbers of immigrants coming in during the beginning of the 20th century.”</p><p>These major demographic and political changes made some people afraid, especially members of dominant groups, Carr says. Because of the widespread belief that many traits and behaviors were inherited, eugenicists justified ostracizing or marginalizing people who were Black, poor, disabled, criminals and immigrants, insisting they would “taint” the gene pool.</p><p>“Many people who believed in ‘progress’ believed in eugenics,” Carr says, including those who might be considered left-wing. “That’s important to say because it points to the ways in which white supremacy and fascistic thinking can bleed into different political mindsets or belief systems.” Even prominent feminists of the time like Margaret Sanger espoused eugenic beliefs, though she never fully bought into forced sterilization as Kem did, Carr says.</p><p><strong>The spiritualist movement</strong></p><p>In addition to eugenics, Omer Kem believed in spiritualism, a movement centered around the idea that it is possible to communicate with the spirits of the dead. Carr notes in her book that spiritualism was common in Midwest Populist circles as well as among the general public; there were an estimated 5 to 6 million adherents by the 1860s, according to a historian cited by Carr.</p><p>A number of scholars document spiritualists’ involvement in progressive political causes. For example, the Bland family, Washington, D.C., activists whom Kem met when he moved to the capital after being elected to Congress, were populists as well as the founders of the National Indian Defense Association, a reform organization that opposed the forced assimilation of Native Americans.</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/omer_kem_family_photo.jpg?itok=FTtKxaXf" width="750" height="634" alt="Omer Kem family photo"> </div> <p>CU Âé¶čÓ°Ôș Professor Julie Carr focused on the story of her great-grandfather Omer Kem to explore the history of spiritualism, populism and eugenics in the American West and the United States.</p></div></div> </div><p>At a dinner that Kem had with the Blands after he had been placed on the House Indian Affairs Committee, the Blands’ niece Maggie, a purported medium, described the ghosts of Kem’s mother and beloved sister Ellen as glowing orbs hovering near his head. This led to a series of encounters with his dead family members, including his son Bert.</p><p>Carr suggests that the Blands might have been using their spiritualism as a form of lobbying, as after these encounters with his dead relatives, Kem became very close to the Blands and did, in fact, advocate for their cause in Congress. Later, Kem’s spiritualism took another turn when he began to “see” a Native American “spirit guide” who he believed had entered his body.</p><p>Historians understand the prevalence of Native spirit guides differently. Some interpret it as yet another form of removal, reducing Native Americans to spectral presences, while others argue that spiritualists were generally sympathetic toward Native Americans, and sometimes used the “voices” of Native spirits to advocate for reforms (though these generally involved coerced assimilation through institutions such as the Indian schools). While this may have been a form of social justice work, it was a distorted one, according to Carr, based as it was on both appropriation and projection.</p><p>“In my great-grandfather’s case,” Carr says, “he started having visions of the ‘spirit’ of a ‘Native American healer’ entering his body in the 1890s when he was in Congress. He maintained this imagined relationship with this ‘spirit’ for the rest of his life. I think there’re some interesting psychological dynamics going on there, one being a desire to identify with Native Americans because of the way that he understands Indigenous people as having a legitimate right to the land.</p><p>“The other complexity is that, even as he’s making speeches on the congressional floor advocating for at least some level of Native sovereignty, he is also legislating for the further removal of Native people from land. In that split, you can see a kind of crisis. If nothing else, it has to be a crisis of conscience. Creating for himself, in a sense, an imaginary friend in this spirit guide he calls ‘Fleet Wind’ is a way, I think, to respond to that crisis of conscience. Perhaps this is true of many forms of appropriation and projection.”</p><p>Kem’s “complex history of bad and good luck, of power struggles, and of property,” as Carr describes them, highlights how the past haunts the present like a ghost, despite the flaws of its actors. Carr finds stark contrast between the past and the present in the People’s Party platform: “This Republic can only endure as a free government while built upon the love of the whole people for each other.”</p><p>“Though this word <em>love</em>, like the phrase <em>the people</em>, has so often been cheapened, distorted and mobilized for violent ends,” Carr writes, “I still want to ask: What if we took them at their word?”</p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about English?&nbsp;<a href="/english/donate" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>A CU Âé¶čÓ°Ôș poet considers the socioeconomic and political environment of the turn of the 20th century through the history of her own family.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/mud_blood_and_ghosts_0.jpg?itok=i0ro8k67" width="1500" height="882" alt> </div> </div> <div>On</div> <div>White</div> Fri, 07 Jun 2024 17:49:15 +0000 Anonymous 5913 at /asmagazine Understanding crime through both victims and offenders /asmagazine/2024/04/03/understanding-crime-through-both-victims-and-offenders <span>Understanding crime through both victims and offenders</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2024-04-03T18:04:45-06:00" title="Wednesday, April 3, 2024 - 18:04">Wed, 04/03/2024 - 18:04</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/focal_image_wide/public/article-thumbnail/police_cars_and_tape.jpg?h=06ac0d8c&amp;itok=AsJECcD4" width="1200" height="600" alt="Crime scene tape and police cars with lights on"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/asmagazine/taxonomy/term/30"> News </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/asmagazine/taxonomy/term/58" hreflang="en">Books</a> <a href="/asmagazine/taxonomy/term/1240" hreflang="en">Division of Social Sciences</a> <a href="/asmagazine/taxonomy/term/686" hreflang="en">Research</a> <a href="/asmagazine/taxonomy/term/164" hreflang="en">Sociology</a> </div> <span>Blake Puscher</span> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p class="lead"><em>The new edition of CU Âé¶čÓ°Ôș Professor Jill Turanovic’s book explains how and why victimization happens, as well as what can be done about it</em></p><hr><p>Understanding why crime happens and how to prevent it depends on taking into account both victims and offenders, including their behaviors and decisions, and the factors that lead to increased vulnerability.</p><p>This is one of the themes highlighted in the recently released second edition of <em>Thinking Âé¶čÓ°Ôș Victimization</em> by <a href="/sociology/jillian-turanovic" target="_blank" rel="nofollow">Jillian Turanovic</a>, a Âé¶čÓ°Ôș associate professor of <a href="/sociology/" target="_blank" rel="nofollow">sociology</a>, and University of Cincinnati fellow Travis Pratt. In it, they explore victimization and its study in detail, addressing how victimization is measured, the theories explaining victimization, why crime is committed, how to respond to it and myths about particular types of crime and victimization.</p><p><strong>Measuring victimization</strong></p><p>One of the most basic issues facing the study of crime and victimization is getting accurate data, Turanovic says. For example, police reports only tell part of the story, because only a fraction of all crimes are reported to police.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/jill_turanovic.jpg?itok=2VSnnpEU" width="750" height="750" alt="Jillian Turanovic"> </div> <p>CU Âé¶čÓ°Ôș researcher Jillian Turanovic, an associate professor of sociology, studies victimization and why crime happens.</p></div></div> </div><p>To more accurately gauge the true amount of crime happening in society, researchers in the 1960s developed self-report victimization surveys. The prime source of survey data is the <a href="https://bjs.ojp.gov/data-collection/ncvs" target="_blank" rel="nofollow">National Crime Victimization Survey (NCVS)</a>.</p><p>As NCVS data came out, the so-called “dark figure” of crime was revealed: Nearly twice as much crime is committed than is reported by official sources.</p><p>“We are able to capture more victimization through self-report surveys than we can capture through official police records—especially for crimes like sexual assault and intimate partner violence,” Turanovic says. Rape and sexual assault are less often reported to the police than any other crime, with just 21.5% of incidents recorded by the NCVS also reported to the police, according to a figure from the book. This speaks to several factors that stop people from reporting crimes: shame, fear of retaliation, and hesitance to involve law enforcement.</p><p>Even for less serious crimes, people may hesitate to involve law enforcement, which is why only 26.1% of petty thefts are reported. In many cases, Turanovic explains, filing a police report does not seem worth the effort because of the low value of the stolen goods and the slim chance of their recovery.</p><p><strong>Competing theories</strong></p><p>Although national crime rates of the late 1960s were not especially high in comparison to those of the ‘80s and ‘90s, Turanovic says, most forms of crime were rapidly increasing during this period. This spurred theoretical development among academics, as criminologists had previously believed that crime would go down as economic conditions improved, as they did in America after World War II. To help explain why the United States could be both rich and crime ridden, criminologists developed two new theoretical frameworks to better understand the phenomenon: lifestyle and routine activity theories.</p><p>Lifestyle theory is based on observations of demographic trends—namely, that young men victimize others and are victimized most often. Behavioral differences are one explanation, according to Turanovic, as young males expose themselves to greater risk through their activities, the situations they enter and the people they associate with than either females or older males.</p><p>Routine activity theory was established to explain why people are victimized when they aren’t doing risky things. It is based on the idea that as certain routine activities increase over time in society, people’s risk for victimization also increases. For example, it was theorized that women increasingly participating in the labor force could lead to an increase in burglaries because it left more houses empty during the day.</p><p>Both theories have limitations, Turanovic says, so both must be applied to answer the fundamental questions of criminology and victimology.</p><div class="feature-layout-callout feature-layout-callout-large"> <div class="ucb-callout-content"><div class="image-caption image-caption-"><p> </p><div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/thinking_about_victimization_0.jpg?itok=l8nkt-0b" width="750" height="1138" alt="Book cover of Thinking Âé¶čÓ°Ôș Victimization"> </div> <p><em>Thinking Âé¶čÓ°Ôș Victimization</em> addresses how victimization is measured, the theories explaining victimization, why crime is committed, how to respond to it and myths about particular types of crime and victimization.</p></div></div> </div><p><strong>Why do people commit crimes?</strong></p><p>“A well-established fact in criminology is that a small proportion of people engage in the majority of crimes,” Turanovic says. <a href="https://www.ojp.gov/ncjrs/virtual-library/abstracts/criminal-career-paradigm-crime-and-justice-review-research-p-359" target="_blank" rel="nofollow">Research indicates that</a> more than half of all crimes are committed by less than a tenth of the population. Recognizing the characteristics of these habitual offenders is necessary for preventing crime on both the individual and systemic levels, she says, given that the former entails avoiding dangerous people and the latter involves restraining or rehabilitating them.</p><p>So, what do criminals tend to have in common? One answer is a lack of self-control, Turanovic says.</p><p>“People with low self-control have a hard time thinking about the long-term consequences of their actions, and they tend to react impulsively in the moment without stopping to think if what they’re doing is the best,” she says, adding that it’s not hard to see how this can lead to crime. For example, most people have wanted something that wasn’t theirs at one point, and the less self-control a person has, the easier it is for common feelings like this to turn into theft or another type of crime.</p><p>In keeping with the overlap between victim and victimizer seen in demographic trends, people with low self-control are also victimized more often, according to Turanovic. “It’s not like such individuals are choosing to be victimized,” she explains, but “people with low self-control have a hard time assessing risks around themselves.”</p><p>However, Turanovic says, self-control is just one factor: “There’re a lot of other environmental, cultural, and social factors that also play a role in why people are engaging in crime or are disproportionately likely to be victimized.” Low self-control is “typically developed in youth who are subject to dysfunctional home environments,” she says, and it “is also found to be lower in socially disorganized, disadvantaged communities, so it’s important to also take into account those factors.”</p><p><strong>How can crimes be prevented?</strong></p><p>Considering that people of a certain age are particularly likely to commit crimes, a simple response is to avoid giving them opportunities to offend.</p><p>There is another approach to decreasing crime that doesn’t involve avoiding risky people or contexts, however: capable guardianship. This can take the form of anything from security cameras to guards. Essentially, even if someone is in a risky situation, like a mall where people in their peak offending years congregate that is located in a state where the rate of shoplifting is high, establishing defenses against crime can thwart or even prevent it, Turanovic says.</p><p>“From a situational crime prevention standpoint, if you assume that a crime is occurring because there are motivated offenders around suitable targets with a lack of capable guardianship, you can increase guardianship and reduce target attractiveness by making crime seem more difficult, more risky, and less rewarding,” she explains. She adds that this is just one example of how the same theoretical framework and evidence base can lead to different conclusions.</p><p>Another is the broken windows theory.</p><p>“Broken windows theory assumes that if there are visible signs of disorder in a community, it gives a signal to would-be offenders that no one cares, and so it’s acceptable to move into that community to start engaging in crime,” Turanovic says. So, if a building’s windows have been broken and remain so for a while, for example, it may seem that breaking more windows, stealing from the building, or using it for some illicit purpose would be less risky.</p><p>Despite recognizing these important criminological facts, broken windows theory has fallen out of favor, along with the aggressive policing of disorder and minor offenses that it inspired. This is partly because of new evidence suggesting that people are not very afraid of small signs of disorder and partly because of negative reactions from affected communities.</p><div class="feature-layout-callout feature-layout-callout-xlarge"> <div class="ucb-callout-content"><p> </p><blockquote> <p><i class="fa-solid fa-quote-left ucb-icon-color-gold fa-3x fa-pull-left">&nbsp;</i> </p><p>To best prevent crime and understand why crime happens, you have to take into account the behaviors and decisions of both parties, and the factors that lead people to be in risky situations or situations where they’re more vulnerable."</p><p> </p></blockquote> </div> </div><p>“There seem to be a lot of consequences of broken windows policing,” Turanovic explains. “It erodes community trust and clogs the criminal justice process. Finding and arresting people for minor things can ultimately result in more consequences for them, disrupt prosocial aspects of their lives, and even increase their future likelihood of further contact with the criminal justice system,” adding that such practices may also impact community collective efficacy.</p><p>“Collective efficacy is essentially this feeling of mutual responsibility to look out for each other and to take care of the community. When that breaks down and there is no real informal social control of youth or willingness to intervene if crime is happening, that’s when crime develops in the community,” Turanovic says.</p><p><strong>Myths and misconceptions</strong></p><p>Aside from these theoretical and systematic considerations, people need to understand how different crimes typically happen to prevent victimization, Turanovic says, adding that the public’s perception of crime is often distorted by the news and entertainment media’s tendency to focus on particular sorts of incidents. Rape and sexual assault are major examples.</p><p>“This crime is most likely to occur between people who know each other, and often both parties are involved in some form of consensual interaction prior to the assault,” Turanovic says. “Especially in the news and on crime shows, we see sexual assault typically depicted as a stranger attacking a woman, maybe in a dark alley alone at night. While that can happen, it does not reflect the majority of these kinds of crimes.”</p><p>Popular concepts of school violence have also been biased by the media, she says: “School violence in general hasn’t actually been increasing at the rate that you may expect based on what you see on the news.”</p><p>The idea that school violence is completely unique from other forms of violence is another misconception, Turanovic says, noting that “a lot of violence that starts in the community bleeds into the school context.”</p><p><strong>Understanding why crime happens</strong></p><p>Turanovic emphasizes that “the study of crime is almost exclusively focused on offenders’ behaviors and decisions, and it leaves victims out of the equation a lot of the time. As the victimization literature developed, it became highly focused on the victim, the victim’s behaviors and their risk factors or vulnerability factors, and the offender’s side of things is left out.</p><p>“To best prevent crime and understand why crime happens, you have to take into account the behaviors and decisions of both parties, and the factors that lead people to be in risky situations or situations where they’re more vulnerable,” she says. “We can better understand and study the situations and contexts by which victimization happens, and who’s most vulnerable, without engaging in victim blaming. Although broad social and cultural changes may be needed to eliminate crime, there are also things that we can learn or do in our daily lives that make it less likely that we may be targeted. It is important to keep in mind those things as well to best prevent victimization.”&nbsp;</p><hr><p><em>Did you enjoy this article?&nbsp;<a href="https://cu.tfaforms.net/73" target="_blank" rel="nofollow">Subcribe to our newsletter.</a>&nbsp;Passionate about sociology?&nbsp;<a href="/sociology/giving" target="_blank" rel="nofollow">Show your support.</a></em></p><p>&nbsp;</p></div> </div> </div> </div> </div> <div>The new edition of CU Âé¶čÓ°Ôș Professor Jill Turanovic’s book explains how and why victimization happens, as well as what can be done about it.</div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/asmagazine/sites/default/files/styles/large_image_style/public/feature-title-image/police_cars_and_tape.jpg?itok=tonhxral" width="1500" height="1000" alt> </div> </div> <div>On</div> <div>White</div> Thu, 04 Apr 2024 00:04:45 +0000 Anonymous 5863 at /asmagazine