Ethnic Studies

Who lives in a pineapple and announces football games?

Rachel Sauer — Fri, 10 Jan 2025 15:30:05 +0000

Who lives in a pineapple and announces football games? Rachel Sauer Fri, 01/10/2025 - 08:30

Jared Bahir Browsh

The success of simulcasts means that fans can expect to see more creative takes on traditional sports, including SpongeBob SquarePants calling Saturday’s NFL Wild Card game

As the final seconds of Super Bowl LVIII ticked off, according to social media, the biggest star was not MVP Patrick Mahomes, Travis Kelce or even Taylor Swift; it was a sea sponge and his starfish best friend. The Nickelodeon alternate broadcast of the Super Bowl starring SpongeBob SquarePants and Patrick Star as commentators was a huge hit, with on-field graphics and animations featuring Nickelodeon stars and, of course, slime.

This was not the first time a media conglomerate aired or streamed a simulcast as a companion to its main broadcast to attract more fans. ESPN’s first basic simulcast was in 1987 after the network gained partial rights to the NFL—the first cable network to air the NFL—agreeing to simulcast the game on local networks of the competing teams. When ESPN2 launched in October 1993, it offered a second ESPN network to sports fans and within a year ran its first alternative broadcast, bringing in-car views to IndyCar fans as a companion to the main broadcast on ESPN.

Jared Bahir Browsh is the Critical Sports Studies program director in the CU �鶹ӰԺ Department of Ethnic Studies.

In 2006, the network created “ESPN Full Circle,” later renamed the Megacast, leveraging the popular basketball rivalry between Duke University and the University of North Carolina to offer local broadcasts and alternative camera views for the game. The previous year, ESPN had launched its college-focused ESPNU and ESPN360, its broadband broadcast service, and used these newer platforms along with its existing networks to offer eight different ways to watch the game.

ESPN offered statistics and other data on its high-definition networks, which were still separate from the standard-definition networks, and even offered polling through ESPN mobile before social media exploded.

These simulcasts and “Megacasts” aimed to give dedicated fans a more in-depth look at the game or event that was being broadcast. At the same time, leagues and sports broadcasters were looking for different ways to attract young and casual fans who enjoyed sports but were not the obsessive fans at which these Megacasts were targeted.

Courting younger fans

For a long time, leagues took young fans for granted, relying on parental, peer and geographic influence to produce new fans. In today's expanding media environment, young and casual fans have infinite options for entertainment, so leagues and their broadcasting partners have had to strategize new ways to attract new audiences.

One of these efforts debuted in 1973: Peter Puck, an anthropomorphic hockey puck created by NBC executive Donald Carswell and animated by Hanna Barbera. NBC had just obtained the rights to the NHL, which was struggling to grow its audience in the United States. Carswell thought Peter would be a great way to teach U.S. audiences the rules of professional hockey through three-minute shorts between periods. Although NBC stopped airing the NHL in 1975, Peter’s legacy lives on more than 50 years later.

The 1980s brought a sea change for sports as cable and improved marketing began to create the enormous sports media environment we experience today. As networks competed for viewers, sports became a reliable form of entertainment to attract audiences who had more choices than ever. As football continued to dominate the sports landscape, buffered by the 1984 Supreme Court decision to allow college football broadcasting to expand beyond the control of the NCAA, other leagues strategized to draw fans to television, stadiums and arenas.

Throughout the 1970s, teams had built larger stadiums and debuted mascots like the Phillie Phanatic to entertain fans. The following decade, as the NBA struggled to find a broadcaster to air its championship games live, David Stern—who took over the league as commissioner in 1984—“Disneyfied” the NBA experience, making attending games more family friendly with more timeout and halftime entertainment.

It just so happened that same year that the most marketable athlete of all time came into the league. Michael Jordan was not only a boon for adult basketball fans, but also kids who wanted to “Be like Mike.” In 1992, Jordan co-starred with Bugs Bunny in the Nike advertising campaign “Hare Jordan.” He retired the next year to play baseball before returning to the NBA in March 1995. The following summer, Bugs and Jordan reunited to film Space Jam, which grossed more than a quarter of a billion dollars after it premiered early into the NBA season in November 1996.

Announcers Noah Eagle and Nate Burleson with SpongeBob SquarePants and Patrick Star announcing Super Bowl LVIII. (Screenshot: Nickelodeon/YouTube)

As a part of this effort to draw new fans, leagues also produced shows aimed at younger fans like “The Baseball Bunch,” which debuted in 1980 and featured MLB players and managers teaching baseball fundamentals. Ten years later, “NBA Inside Stuff” premiered on NBC’s Saturday morning schedule, joining a growing sports media industry aimed at kids that included publications like Sports Illustrated for Kids and video games like the Madden, FIFA and NBA 2k series, among the most popular video game series of all time.

Primetime slimetime

The consolidation of the U.S. media system throughout the 1980s and 1990s led to massive media conglomerates. Unsurprisingly, NBC held the network broadcast rights for the NBA when “NBA Inside Stuff” aired. As broadcast and cable networks came under the same corporate umbrella as film and animation studios, new opportunities for cross promotion emerged. Disney bought ESPN and opened the ESPN Wide World of Sports Complex, named after the anthology series that aired under one of their other subsidiaries, ABC, from 1961 until 1997 . Disney also founded an NHL team, the Mighty Ducks of Anaheim, in 1993—named after the popular 1992 kids hockey movie—and in 1996 debuted “Mighty Ducks: The Animated Series” on ABC, which featured anthropomorphic hockey playing superhero ducks.

The success of Space Jam and the continued media conglomeration strengthened the relationship between animation and sports. NASCAR rights holder FOX debuted “NASCAR Racers,” an animated action series featuring NASCAR branding, a day before the 1999 race season finale. Cartoon Network aired the marathon “NBA All-Star Slam” in 2003, featuring interstitial interviews with NBA players in the lead-up to the All-Star Game, which aired the evening of the game on TNT (both networks were owned by Warner subsidiary Turner).

In 2016, LeBron James appeared on the Cartoon Network series “Teen Titans Go!” the same night as a TNT basketball doubleheader and a few days before the All-Star Game. Later, the Teen Titans offered commentary of the 2023 NBA Slam Dunk Contest in the lead-up to the NBA All-Star Game airing on TNT.

Although these series and specials expanded the visibility of league branding and special events, the engagement with actual games was limited. When Viacom and CBS merged again in 2019, after splitting 14 years earlier, they began strengthening the relationship between former Viacom network Nickelodeon and broadcast network CBS. They began featuring Nickelodeon content on CBS All-Access, now Paramount+, and in 2021 Nickelodeon aired an NFL simulcast of the Wild Card playoff game between the Chicago Bears and New Orleans Saints featuring Nickelodeon live-action and animated stars joining the real-time NFL broadcast with alternate announcers Nate Burleson and Noah Eagle. Current Denver Broncos coach Sean Payton, then the coach of the Saints, volunteered to be slimed, similar to the traditional Gatorade shower.

Current Denver Broncos coach Sean Payton, then the coach of the New Orleans Saints, gets "slimed" after a 2020 Wild Card win against the Chicago Bears. (Screenshot: Nickelodeon/YouTube)

The following season, “NFL Slimetime” premiered on Nickelodeon, a highlight show hosted by Burleson that strengthened the relationship between the NFL and Nickelodeon. This relationship exploded during last years’ Super Bowl as the Nickelodeon simulcast on the cable network and Paramount+ was credited for a growth in game viewership, especially among younger and casual fans who appreciated the irreverent approach to the game.

A pineapple under the arena

As media conglomerates continue to leverage sports rights to attract audiences and increase subscriptions to their streaming services, they have also leaned into the popularity—and meme-making possibilities—of these simulcasts. Several months after the Nickelodeon simulcast of the Wild Card Playoff, Disney leveraged its Marvel Cinematic Universe to produce a simulcast, “Marvel Arena of Heroes,” on ESPN2 and its streaming service, which was similar to the Wild Card game on Nickelodeon and featured special graphics and superhero-themed content related to the real-time NBA games between the Golden State Warriors and New Orleans Pelicans. ESPN and Genius Sports, the company behind augmented games like the Arena of Heroes simulcast, extended their contract in the summer of 2024.

In 2023, Disney aired its own fully animated simulcasts with the “Big City Greens Classic” NHL broadcast in March and the “Sunday Funday” Toy Story-themed NFL game in September. Both regular-season games included a rendering of the real-time broadcasts featuring stars from its animated franchises. Disney followed this up in December 2024 with another “Sunday Funday” featuring “The Simpsons” and the Christmas Day “Dunk the Halls” animated simulcast featuring classic characters like Mickey Mouse and Donald Duck. In between these two games, NBC’s Peacock service offered an alternate stream of the game between the Kansas City Chiefs and Houston Texans featuring graphics from the popular video game series Madden.

As SpongeBob and Patrick prepare to announce the Nickelodeon simulcast of the 2025 NFL Wild Card game between the Houston Texans and Los Angeles Chargers Saturday, fans should be prepared for more of these simulcasts as networks and streaming services try to market these games to young and casual fans, boosted by social media memes like Patrick roasting the starting quarterback and Lisa Simpsons scoring a touchdown against Homer.

Jared Bahir Browsh is an assistant teaching professor of critical sports studies in the CU �鶹ӰԺ Department of Ethnic Studies.

Did you enjoy this article? Subscribe to our newsletter. Passionate about critical sports studies? Show your support.

The success of simulcasts means that fans can expect to see more creative takes on traditional sports, including SpongeBob SquarePants calling Saturday’s NFL Wild Card game.

Traditional

White

Exploring the ‘musical audacity’ of funk

Rachel Sauer — Mon, 09 Dec 2024 15:30:16 +0000

Exploring the ‘musical audacity’ of funk Rachel Sauer Mon, 12/09/2024 - 08:30

Rachel Sauer

In a newly published book, CU �鶹ӰԺ Professor Reiland Rabaka delves into the culture and sound of music’s ‘best-kept secret’

Barely two months into the ‘70s, Funkadelic—led by George Clinton, Jr.—released something of a musical manifesto with the song “Good Old Music”:

Everybody’s gettin’ funky

In the days when the funk was gone

I recall not long ago

When the funk it was goin’ strong.

CU �鶹ӰԺ Professor Reiland Rabaka (left) recently published The Funk Movement: Music, Culture, and Politics.

In hindsight, the lyrics hint not only at funk’s musical and cultural impact, but at the forgotten shadows in which funk has often lived.

“One of the many reasons funk frequently is not understood to be funk has to do with its ghettoization within the music industry and White music critics’ tendency to lazily lump most post-1945 Black popular music under the ‘rhythm & blues’ moniker,” writes musicologist Reiland Rabaka.

“In other words, because White music critics often serve as musical gatekeepers for White music fans, telling them what is ‘hip’ and ‘hot’ and what is not, most White folks never developed an ear for, or serious appreciation of, classic funk in the ways they did for pre-funk Black popular music such as blues, jazz, rhythm & blues or even soul music.”

Rabaka, a �鶹ӰԺ professor in the Department of Ethnic Studies and director of the Center for African and African American Studies, aims a scholar’s eye at funk in his newly published book The Funk Movement: Music, Culture, and Politics. Originally scheduled for 2025 release, a deluge of pre-orders prompted publisher Routledge to release it in late October.

“(Funk is) this musical gumbo, where you’ve got all these different kinds of music and not just distinctly Black music,” Rabaka explains. “African American culture is a hybrid heritage—we’re talking about an incredibly creolized culture, and as Black folk in America, we’re not searching for some sort of purity. Music reflects our multiple traditions and heritages and also allows us to live out loud. The musical audacity in funk, even if it’s just for three minutes and 30 seconds, when Parliament Funkaldelic says dance without constrictions, we’re dancing without constrictions.”

No rap without funk

The Funk Movement joins Black Power Music! Protest Songs, Message Music, and the Black Power Movement, released in 2022, and Black Women's Liberation Movement Music: Soul Sisters, Black Feminist Funksters, and Afro-Disco Divas, released in 2023, in Rabaka’s ongoing exploration of the confluences of music, culture, identity, politics, place and people.

"It’s not a coincidence that James Brown comes out and says, ‘Say it out loud, I’m Black and I’m proud’ after Martin Luther King was assassinated,” says Reiland Rabaka. (Photo: James Brown performing in the Musikhalle in Hamburg, Germany, February 1973. Heinrich Klaffs/WikiCommons)

He comes to this work not only as a scholar, but as a musician: “I was the kid from the projects who got bussed to these incredible creative arts schools,” he says. “From there, I was able to get a truckload of music scholarships, which is how I became the first person in my family to go to college.

“I really feel like my musicology is coming full circle, coming back to where I started. I was a performing jazz musician and have a performing arts degree, so in a way I’m what social scientists call a participant researcher—I’m deeply involved in a lot of the music I write about. It lends my work a kind of insider’s knowledge, a kind of intimacy with my subject. I’m not just somebody writing to achieve tenure; these are passion projects to me.”

Rabaka came to funk not only loving the music but fascinated by its place at the nexus of the women’s liberation movement, the sexual revolution, the Black power movement, the evolving civil rights and gay rights movements and all the other political and social upheavals of the 1970s. However, he acknowledges in his book that funk—both the music and the culture—is often subsumed into musical movements that are more broadly familiar to non-Black audiences.

“Most funk, both as a genre of music and a cultural movement, has not resonated with non-Black fans of Black popular music the way a lot of pre-funk Black popular music has,” Rabaka writes. “It is like funk is one of the best kept secrets of Black popular music, even though it, more than any other post-war Black popular music genre, laid the foundation for the mercurial rise of rap music and hip-hop culture in the 1980s and 1990s.”

In other words, Rabaka says, “there’s no rap, no hip-hop, without funk.”

Award winner

Reiland Rabaka’s book Black Women's Liberation Movement Music: Soul Sisters, Black Feminist Funksters, and Afro-Disco Divas was recently named Best History in the category Best Historical Research in Recorded Blues, R&B, Gospel, Hip Hop or Soul Music in the 2024 Association for Recorded Sound Collections (ARSC) Awards for Excellence.

The goal of the ARSC Awards Program, according to the organization, “is to recognize and draw attention to the finest work now being published in the field of recorded sound research.”

In the book, Rabaka, a professor in the University of Colorado Department of Ethnic Studies, critically explores the ways the soundtracks of the Black Women’s Liberation Movement often overlapped with those of other 1960s and 1970s social, political and cultural movements, such as the Black Power Movement, Women’s Liberation Movement and sexual revolution. His research reveals that “much of the soul, funk and disco performed by Black women was most often the very popular music of a very unpopular and unsung movement: The Black Women’s Liberation Movement.”

Rabaka and his fellow award winners will be recognized at an awards ceremony during ARSC’s annual conference in Tulsa, Oklahoma, in May.

Say it out loud

However, funk—like the broader umbrella of “art” under which it lives—can be difficult to define; listeners know it when they hear it. And it’s more than music: “It’s the sound and the aesthetics of Black bohemia,” Rabaka says.

In his book, Rabaka approaches the funk movement as it encapsulates both the music and the culture of funk, focusing on the golden age of funk that’s generally categorized between 1965 and 1979. He notes that while funk is often dismissed as simple party music, it addressed and embodied the upheaval and frustrations of the times in which it was born.

“To adequately interpret funk, one needs to understand key moments in African American history and culture, especially the struggle to end racial segregation that culminated in the 1960s and the beginning (and unfulfilled promises) of the era of racial integration in the 1970s,” Rabaka writes.

“Funk can be interpreted as ‘a discourse of social protest’ and ‘the critical voice of a post-Civil Rights Movement counterculture’ that challenged mainstream histories that attempt to nicely and neatly paint the 1960s as the decade of racial segregation and the 1970s as the decade of racial integration, ‘equal opportunity,’ and ‘ubiquitous optimism.’”

When Marvin Gaye asked “What’s Going On,” Rabaka says, Sly Stone answered several months later with “There’s a Riot Goin’ On.”

“In the book I say it’s not a coincidence that James Brown comes out and says, ‘Say it out loud, I’m Black and I’m proud’ after Martin Luther King was assassinated,” Rabaka says. “There was mass disillusionment, mass depression, so funk is also a deeper and darker sound, a grittier sound. It exists in a lot of levels, where it can be good-time music, sure, but sometimes there are a lot of heavier topics and themes that go on in funk.”

Rabaka is particularly fascinated with the women of funk and is already working on a book that brings them out of the shadows.

“Funk, I argue, was a Black popular music response to the hippie movement, to the women’s movement, to Stonewall even,” Rabaka says. “Black America has a way of refracting things that are going on in mainstream America, saying, ‘How does that speak to us?’”

Did you enjoy this article? Subscribe to our newsletter. Passionate about ethnic studies? Show your support.

In a newly published book, CU �鶹ӰԺ Professor Reiland Rabaka delves into the culture and sound of music’s ‘best-kept secret.'

Traditional

White

Top image: Earth, Wind & Fire perform in 1982 (Photo: Chris Hakkens/WikiCommons)

That red nose still guides us to Christmas

Rachel Sauer — Thu, 05 Dec 2024 17:43:58 +0000

That red nose still guides us to Christmas Rachel Sauer Thu, 12/05/2024 - 10:43

Jared Bahir Browsh

Sixty years after the debut of the Rudolph the Red-Nosed Reindeer stop-motion animated classic, the yearly flood of holiday films can thank the small reindeer for their success

As we spend the Christmas season binging on Hallmark movies and holiday specials, one diminutive reindeer has been part of Christmas media longer than any other figure.

Rudolph the Red-Nosed Reindeer was created as a coloring book in 1939 by Robert L. May for Montgomery Ward when the retailer decided to produce its own coloring books after distributing books from other publishers for years. May faced pushback on the story, since red noses were associated with drinking at the time, but ultimately Montgomery Ward distributed more than 2 million copies of the story that celebrates individuality and courage.

Jared Bahir Browsh is the Critical Sports Studies program director in the CU �鶹ӰԺ Department of Ethnic Studies.

The first Rudolph cartoon debuted in 1948, directed by Max Fleischer and sponsored by Montgomery Ward. The next year, the famous song written by May’s brother-in-law Johnny Marks debuted behind the vocals of Gene Autry, hitting number one—the first top song of 1950 that was added to Fleischer’s cartoon when it was reissued in 1951.

Autry’s beloved version of “Rudolph the Red-Nosed Reindeer” sold more 1.75 million copies in 1949 alone, and altogether Autrey’s and every other version of the song have sold more than 150 million copies, behind only Bing Crosby’s “White Christmas” in total Christmas song sales. It is also the only No. 1 song to fall completely off the charts the week after it peaks.

In 1958, Chuck Berry recorded "Run Rudolph Run,” with Marks receiving a writing credit after suing for trademark infringement. Autry also wrote and sang "Here Comes Santa Claus."

The growth of the recording industry after World War II was part of a larger post-war economic boom in the United States that supported the increased commercialization of Christmas, which had started a century earlier with depictions of Santa in the 1840s and his first in-store appearance at the New York City Macy’s in 1862. His appearance in the first Macy’s Thanksgiving Day Parade in 1924 was thought to kick off the holiday shopping season, with his modern image confirmed by Coca-Cola advertisements in 1931. A decade later, Rudolph joined Santa on his sleigh as a Christmas icon.

Stop-motion animation

In the first 25 years after May created Rudolph, the reindeer with the light-up nose became a multimedia legend, inspiring comic and children’s books in addition to the original coloring book and 1948 cartoon. But the small animation studio Rankin/Bass—founded as Videocraft and going by that name until 1974, when it rebranded as Rankin/Bass—helped Rudolph reach generations of kids and produced the longest continuously running Christmas special in United States television history.

The unique stop-motion animation style Rankin/Bass used was called “Animagic,” crafted by Japanese artist Tadahito Mochinaga and his MOM Production Studio. The process debuted in the United States in 1961 in a syndicated series called The New Adventures of Pinocchio, but the Rankin/Bass 18 Christmas specials helped the stop-motion animation approach become legendary. Rankin/Bass was one of the earliest studios to outsource its animation to Japan, which became common practice in later animated productions.

Since its debut in 1964, the Rudolph special has gone through a number of edits. In 1965, the song “Fame and Fortune” was added, to the chagrin of fans of the original; the song and the scene were removed and Santa’s visit to the Island of Misfit Toys was added in 1966.

Since its debut Dec. 6, 1964, Rudolph the Red-Nosed Reindeer has gone through a number of edits. (Image: Rankin/Bass)

Yukon Cornelius’ visit to the peppermint mine was also edited out of the original and would not return until 2019, when the network Freeform obtained the rights to this and several other Rankin/Bass specials as a part of its 25 Days of Christmas.

Rudolph the Red-Nosed Reindeer aired on NBC, its original network, until 1971, when CBS purchased the broadcasting rights, which it held until 2023. For the film’s 60th anniversary this year, NBC will air the full film in a 75-minute broadcast on Dec. 6, the same date the original debuted in 1964. Unlike other Christmas specials, the film is not available as a part of any streaming service and must be purchased to view it outside the NBC or Freeform telecasts.

The stop-motion Rudolph film not only became an instant classic, but also led to a wave of classic Christmas visual media in television and film. A Charlie Brown Christmas debuted in 1965, followed in 1966 by the animated How the Grinch Stole Christmas!, which was adapted from the 1957 Dr. Seuss book. Rankin/Bass would continue to produce holiday specials, including traditionally animated specials based on the Charles Dickens Christmas novella The Cricket on the Hearth (1967) and The Mouse on the Mayflower (1968), a Thanksgiving special.

The studio’s greatest successes, however, were its specials based on popular holiday songs and traditional stories. Later in 1968, The Little Drummer Boy debuted, a stop-motion special based on the song written in 1941 by Katherine Kennicott Davis and first recorded by the Trapp family in 1951. The song became a holiday standard in the United States through the later version by The Harry Simeone Chorale, who also recorded the popular version of “Do You Hear What I Hear?” as a plea for peace during the Cuban Missile Crisis. “The Little Drummer Boy” was also covered by Frank Sinatra and Bing Crosby with David Bowie.

The film The Little Drummer Boy is fairly dark for an animated special of the time, featuring the drummer boy Aaron’s family being murdered before he is kidnapped, forced to perform and escaped to join the Magi and ultimately performing in Bethlehem.

A holiday deluge

Rankin/Bass studio produced Frosty the Snowman in 1969, which was drawn to look like a Christmas card. (Image: Rankin/Bass)

In subsequent years, Rankin/Bass continued to produce specials that became staples of various holidays, including the traditionally animated Frosty the Snowman (1969), which studio artists wanted to look like a Christmas card. The studio also produced a number of other stop-motion specials, including Santa Claus is Coming to Town (1970) and Here Comes Peter Cottontail (1971). The partnership between Arthur Rankin Jr. and Jules Bass resulted in more than two dozen holiday specials and numerous other films and series, including the original ThunderCats series.

What used to be special, sprinkled throughout late November and December, has become a massive media industry leading to most regularly scheduled series taking a midseason break as a torrent of holiday specials and sporting events dominate television from Thanksgiving through the college football bowl season in January. The holiday season is now overrun by a collection of animated specials, holiday episodes and cheesy rom-coms. The latter of these were popularized by Hallmark, which has been sponsoring specials for broadcast since 1951, making what is now known as the Hallmark Hall of Fame the longest-running anthology series on television.

Hallmark’s low-budget holiday specials have been a staple of the holidays since 2000 and dramatically increased when Odyssey Network was rebranded the Hallmark Channel in 2001. Since then, the channel, which has grown in popularity over the last two decades, has produced more than 300 holiday specials created around formulaic narratives largely focused on family-appropriate romance. Other media outlets, including Lifetime Network and Netflix, have also joined this trend, leading to a deluge of specials of varying quality dominating the holiday season.

However, many of these specials rooted in nostalgia and familiar formulas can thank Santa’s ninth reindeer for using his shining nose to lead the way in establishing our holiday watching habits.

Jared Bahir Browsh is an assistant teaching professor of critical sports studies in the CU �鶹ӰԺ Department of Ethnic Studies.

Did you enjoy this article? Subscribe to our newsletter. Passionate about critical sports studies? Show your support.

Sixty years after the debut of the Rudolph the Red-Nosed Reindeer stop-motion animated classic, the yearly flood of holiday films can thank the small reindeer for their success.

Traditional

White

Floating like a butterfly, stinging like a bee

Rachel Sauer — Mon, 11 Nov 2024 17:30:13 +0000

Floating like a butterfly, stinging like a bee Rachel Sauer Mon, 11/11/2024 - 10:30

Jared Bahir Browsh

Fifty years after the famed ‘Rumble in the Jungle,’ Muhammad Ali is remembered not only as the heavyweight champ, but as a champion of civil rights

It is hard to imagine, but coming off of his more than three-year exile from boxing, Muhammad Ali spent four years regaining his position as the top heavyweight in boxing. He lost everything by taking his stance against being drafted into the Vietnam War—not just his boxing career and his promotional business, but also derailing his budding advertising and media career.

Ali was born in Louisville, Kentucky, winning the light heavyweight gold medal at the 1960 Rome Olympics before turning professional as a heavyweight. A myth emerged that he threw his gold medal into the Ohio River after returning to his home city as Olympic champion and was still denied service in a restaurant.

Jared Bahir Browsh is the Critical Sports Studies program director in the CU �鶹ӰԺ Department of Ethnic Studies.

His experiences negotiating racism and segregation as an Olympic hero would inform his outspoken approach to civil rights and make him a hero to millions across generations.

Ali won his first 20 professional matches—and became heavyweight champion—at age 22, defending the championship across nine challenges before he was stripped of his championship and exiled from the sport in 1966. He appealed his draft reclassification, which happened in spite of his dyslexia and his position as a conscientious objector. Other athletes who were draft-eligible were placed with National Guard units or protected by their teams, as in the NFL, so it was particularly curious that the most popular athlete in the country was reclassified and drafted.

Conscientious objector

After winning the heavyweight championship against Sonny Liston in 1964, the boxer then known as Cassius Clay changed his name first to Cassius X and then to Muhammad Ali. He had befriended Malcolm X and joined the Nation of Islam, but did not reveal his conversion until he was secure in his boxing career after winning the championship. He fell out with Malcolm X after the civil rights leader left the Nation following revelation that leader Elijah Muhammad had children out of wedlock; Malcolm assumed Ali would support him, but Ali remained loyal to the Nation.

In 1966, Ali founded Main Bout Inc. to promote his fights and oversee the closed-circuit broadcasting of his fights. The Nation of Islam held many of the shares in Main Bout Inc., including through Ali’s manager, Jabir Herbert Muhammad, third son of the Nation’s leader; other shareholders included football legend Jim Brown. To help forge relationships, boxing promoter Bob Arum was included and after the company folded due to Ali’s arrest, Arum and Muhammad went on to found Top Rank Boxing.

Ali’s religious conversion and his perspective that America should not be involved in the Vietnam War led to his refusal to be inducted. He was arrested and convicted of breaking Selective Service laws, and he continued to protest the war as he appealed. His conviction was overturned in June 1971, although he returned to boxing in late 1970 as sentiment against him softened and boxing commissions granted Ali licenses to fight again. He fought three matches before the Supreme Court ruled in his favor, including the first loss of his career against Joe Frazier.

As Frazier and Ali worked toward a rematch, a young boxer rose up the ranks after winning the heavyweight gold medal at the 1968 Mexico City Olympic Games. George Foreman entered the fight against Joe Frazier at 37-0, emerging as champion and disrupting the planned rematch between Frazier and Ali. Ali also lost his second match, this time against Ken Norton, but after Foreman beat Norton, Don King signed contracts with both Ali and Foreman for a superfight promising each boxer a $5 million purse.

Defending world champion George Foreman goes down in the eighth round during his Oct. 30, 1974, bout against Muhammad Ali in Kinshasa, Zaire. (Photo: Richard Drew/Associated Press)

King did not have the money on hand, and the huge monetary promise to both boxers led other promoters to avoid working with King to organize the event. King, who had been released from jail in 1972 after being convicted of second-degree murder, forged a relationship with Ali after promoting a charity fight, but was unable to come to agreement with any venue in the United States to stage the fight. As a result, he looked at other countries to stage it. Fred Weymar, who was an advisor to Zairean dictator Mobutu Sese Seko, convinced Seko that funding and staging the fight would help garner support for his regime, an effort known today as sportwashing. King also pulled in funding from Risnelia Investment, the Hemdale Film Corp. and Video Techniques Inc., with Hemdale and Video Techniques Inc. as official co-promoters. Color commentators included Brown, Frazier and journalist David Frost.

Rumble in the Jungle

Promoted as the Rumble in the Jungle, the fight was an incredible spectacle, even by today’s sporting standards. Originally scheduled for Sept. 25, 1974 (it would have been broadcast Sept. 24 in the United States due to the time difference), it was pushed back to Oct. 30 due to a cut Foreman got while sparring. A three-day music festival called Zaire 74 took place between Sept. 22-24, originally scheduled to precede the match, which included James Brown, Bill Withers, B.B. King, The Spinners and Celia Cruz alongside more than a dozen African artists.

Although Ali arrived in Zaire as a 4-1 betting underdog, he was the overwhelming favorite of the Zairean/Congolese people. Foreman arrived in Zaire with his German shepherd, which was the dog breed used by the Belgian occupying forces against the Congolese people, further cementing his status as the villain. Foreman and Ali were polar opposites, with Ali seen by many as unpatriotic in America, but a hero in Africa. Foreman, on the other hand, represented Cold War nationalism after beating Soviet Jonas Čepulis in the 1968 Olympic gold medal match, leading to the famous image of the very large Foreman waving a tiny American flag after his victory in Mexico.

Fans chanted "Ali boma ye," or “Ali kill him,” throughout his visit and the fight. Although the event itself did not go as planned—King assumed hundreds of high-profile boxing fans would travel to Zaire, but only a few dozen ended up making trip—the fight is seen as one of the greatest. The match earned more than $100 million from closed-circuit broadcasts in U.S. theaters and other broadcasts rights globally, leading to an estimated audience of more than 500 million people worldwide.

The legendary status of the fight was cemented by Ali’s upset win against the younger and stronger Foreman. Ali and his trainers understood that he would be unable to outpunch Foreman, so they relied on Ali’s skill and speed. By the second, round Ali was leaning against the ropes, avoiding and absorbing blows with his arms and body, which did not earn Foreman points with the judges since they were not clear blows against Ali. Eventually, Foreman exhausted himself and Ali took advantage, knocking out the future grill entrepreneur in the eighth round.

In one of the most famous photos of Muhammad Ali ever taken, the boxer stands over Sonny Liston during a May 1965 bout in Lewiston, Maine. (Photo: John Rooney/Associated Press)

Approaching retirement

In his next bout, Ali fought Chuck Wepner and was knocked down in the ninth round, at least partially due to a light training schedule. Ali still won, and the fight would inspire Sylvester Stallone to write Rocky, with the character Apollo Creed based on Muhammad Ali.

Ali retained the heavyweight title for more than three years, a run that included the Thrilla in Manila, the third match in the trilogy between Ali and Frazier that saw the champion employ the “rope-a-dope” again, as both fighters struggled in the heat of Quezon City, near the Philippine capital of Manila. Ali lost to Leon Spinks in February 1978 on a split decision, before beating Spinks in their rematch seven months later.

Ali sent his letter of retirement to the World Boxing Association before returning to the ring to face his former sparring partner Larry Holmes for the vacant World Boxing Commission title, reportedly taking the fight partially due to money issues. Before the fight, he was ordered to undergo examination at the Mayo Clinic because there was a concern as to whether he was fit to return to the ring—he had begun to display symptoms of what would be diagnosed as Parkinson's syndrome in 1984.

The fight was so one-sided that Holmes reportedly voiced concern to the referee, who refused to stop the match. Holmes went on to win after Ali’s long-time trainer finally stepped in to stop the fight. Stallone attended the fight in Las Vegas and compared it to “an autopsy on a man who's still alive.” Ali fought one more time before ultimately retiring.

As time went on, Ali struggled with the impact that Parkinson’s had on his health—a condition related to taking an estimated 200,000 hits over his amateur and professional boxing career. He continued to make public appearances, including his inspiring lighting of the Olympic torch in the 1996 Atlanta Games. He continues to be a revered sports and civil rights legend, considered the greatest heavyweight boxer of all time.

Jared Bahir Browsh is an assistant teaching professor of critical sports studies in the CU �鶹ӰԺ Department of Ethnic Studies.

Did you enjoy this article? Subscribe to our newsletter. Passionate about critical sports studies? Show your support.

Fifty years after the famed ‘Rumble in the Jungle,’ Muhammad Ali is remembered not only as the heavyweight champ, but as a champion of civil rights.

Traditional

In a bout called "Rumble in the Jungle," Muhammad Ali, left, and George Foreman, right, fight on Oct. 30, 1974, in Kinshasa, Zaire. (Photo: AFP/Getty Images)

White

In a bout called Rumble in the Jungle, Muhammad Ali, left, and George Foreman, right, fight on Oct. 30, 1974, in Kinshasa, Zaire. (Photo: AFP/Getty Images)

Remembering the player behind ‘Fernandomania’

Anonymous — Thu, 24 Oct 2024 18:44:00 +0000

Remembering the player behind ‘Fernandomania’ Anonymous (not verified) Thu, 10/24/2024 - 12:44

Jared Bahir Browsh

Fernando Valenzuela, who died Tuesday, was more than just the first Mexican superstar in Major League Baseball; he helped soothe longstanding resentments in a displaced community

The Los Angeles Dodgers announced Wednesday that Fernando Valenzuela passed away late Tuesday night at the age of 63. The legendary pitcher debuted late in the 1980 season as a 19-year-old, but it would not be until his first full season when the rookie would initiate “Fernandomania,” fascinating not only Dodgers and baseball fans, but people throughout the United States and Latin America.

Valenzuela helped the Dodgers beat the Yankees to win the World Series in 1981, the last time the two teams met. At a time when the Dodgers struggled to soothe their relationship with Mexican American fans, Valenzuela was not only the balm, but also initiated a wave of players from Mexico that continues today.

The Dodgers’ relationship with the large Chicanx community in Los Angeles had long been fraught after the building of Dodger Stadium. Following passage of the Federal Housing Act in 1949, then-Mayor Norris Poulson chose Chavez Ravine, a shallow canyon in Los Angeles, as the location to build 10,000 housing units, promising the Mexican American community living there that they would have their first choice of housing.

Jared Bahir Browsh is the Critical Sports Studies program director in the CU �鶹ӰԺ Department of Ethnic Studies.

Yet after most of the neighborhood was razed, the project was delayed, and when the Dodgers decided to move from Brooklyn to Los Angeles, the area was chosen to build the new Dodger Stadium. The broken promises led to decades of resentment between the team and the Mexican American community in the city, as the remaining residents were forced out of the neighborhood.

Selling out stadiums

Valenzuela was scouted by several teams, but when legendary Cuban-American scout Mike Brito went to evaluate him in Silao, Mexico, he convinced the Dodgers to buy out Valenzuela’s contract in the summer of 1979, just beating out the Yankees. He worked his way up from the minor leagues, debuting with the Dodgers in September 1980 after learning what became his signature pitch, the screwball, which breaks the opposite direction of a curveball or slider.

He spent the final month of the season as a reliever, helping the team contend for the West Division before they lost to the Houston Astros in a one-game playoff.

The following season, the 20-year-old Valenzuela was tapped to be the Dodgers’ opening-day starter after pitcher Jerry Reuss was injured the day before the game. This set off Fernandomania, as he went 8-0 with five shutouts and an earned run average of 0.50. The 1981 season was cut short due to a strike in June, but when the season resumed in August, Valenzuela helped the team win the World Series, becoming the first pitcher to win both the National League Rookie of the Year and Cy Young awards in the same season.

Valenzuela sold out stadiums both at home and away, becoming a phenomenon only a few years after first signing to the Mexican league from his small, rural hometown in Sonora. An international Horatio Alger story, Valenzuela’s rise is one of the most unbelievable in modern sports history.

Valenzuela spoke very little English and struggled to communicate with many of his teammates; however, team manager Tommy Lasorda spent time in the Caribbean winter leagues and helped Valenzuela’s transition to the major leagues, while Mike Scioscia learned enough Spanish to become the young pitcher’s personal catcher. Valenzuela would go on to make six straight All-Star games before shoulder issues related to overuse and the strain of throwing the screwball derailed his career. He ultimately played 17 seasons and threw a no-hitter for the Dodgers in 1990, but his legacy goes far beyond his phenomenal rise.

The first Mexican superstar

Walter O’Malley had owned at least a minority stake in the Dodgers since 1944, accumulating a larger stake in the team and eventually becoming its president in 1950. He was part of the ownership group that signed Jackie Robinson and led the move to Los Angeles in 1958. O’Malley was tired of the Brooklyn Dodgers living in the Yankees’ shadow—their Ebbets Field had less than half the capacity of Yankee Stadium (32,000 vs. 67,000) and the Dodgers lost six of the seven World Series matchups with the Yankees in the 1940s and 1950s. O’Malley saw a business opportunity in moving to the West Coast and building his own stadium in spite of the displacement of the Mexican American community there.

Fernando Valenzuela, known for his signature 'screwball' pitch, winds up during the Dodgers' April 8, 1986, home opener. (Photo: Tony Barnard/Los Angeles Times)

Much like Robinson brought Black fans to the Dodgers, and baseball more generally, O’Malley sought a Mexican player to draw Latine fans who refused to watch the Dodgers not only because of resentment over the displacement, but also because the Dodgers were seen as a team for the white community in Los Angeles. Walter O’Malley died a month after the organization signed Valenzuela, so he never saw the impact of the first Mexican superstar in baseball.

Though famous, Valenzuela still faced many of the same issues other Mexican immigrants faced coming to America. The language barrier led to isolation early in his career, and after his historic rookie season, he was threatened with deportation as he held out for a new contract in 1982, since he was in the United States on a work visa. It was said that Ronald Reagan pushed for immigration reform partly due to meeting Valenzuela in 1981.

Despite the disappointment of being cut by the Dodgers during 1991 spring training, Valenzuela maintained his legendary status with the team, becoming their color commentator in 2003 and having his number, 34, retired in 2023.

His jersey is still one of the most popular, with Valenzuela jerseys seen throughout Dodgers stadium 34 years after he threw his last pitch for the team. In spite of his status as the greatest player from Mexico to play in the Major Leagues, he has not been elected to the Baseball Hall of Fame, although many artifacts from Fernandomania sit in the museum in Cooperstown.

Jared Bahir Browsh is an assistant teaching professor of critical sports studies in the CU �鶹ӰԺ Department of Ethnic Studies.

Top image: Fernando Valenzuela pitches a two-hit, 4-0 victory over the Montreal Expos at Dodger Stadium May 21, 1986. (Photo: Marsha Traeger/Los Angeles Times)

Did you enjoy this article? Subscribe to our newsletter. Passionate about critical sports studies? Show your support.

Fernando Valenzuela, who died Tuesday, was more than just the first Mexican superstar in Major League Baseball; he helped soothe longstanding resentments in a displaced community.

Traditional

White

Balancing opportunity and exploitation as the NBA forges new ground in Africa

Anonymous — Tue, 22 Oct 2024 18:19:39 +0000

Balancing opportunity and exploitation as the NBA forges new ground in Africa Anonymous (not verified) Tue, 10/22/2024 - 12:19

Jared Bahir Browsh

The recent death of Dikembe Mutombo and the start of the NBA regular season today highlight the fraught realities of building a talent pipeline between lower-income countries and the NBA

On Sept. 30, Basketball Hall of Famer Dikembe Mutombo passed away after a two-year battle with brain cancer. As a young NBA fan, I looked at Mutombo as someone both figuratively and literally larger than life.

Even as a fan of the Philadelphia 76ers, one of my favorite basketball memories was when Mutombo helped lead the Denver Nuggets to an upset of the No. 1-seed Seattle Supersonics, which featured an iconic highlight of Mutombo holding the final rebound as he celebrated on the ground. I later had the joy of watching him as a Sixer when the team made a run to the NBA Finals in 2001.

Mutombo’s legend went beyond his size, with an incredible backstory that might seem too unbelievable for a Hollywood script. He enrolled in Georgetown University on a USAID academic scholarship at 21, originally intending to pursue a career in medicine. But after being recruited to play basketball, and knowing very little English, he majored in linguistics and diplomacy, earning internships with U.S. Rep. Robert Matsui and the World Bank.

Jared Bahir Browsh is the Critical Sports Studies program director in the CU �鶹ӰԺ Department of Ethnic Studies.

My sister attended Georgetown, and Mutombo stories were common—with his intelligence, gregarious nature and success on the court making him a legend at the university. He was drafted by the Nuggets on the day after his 25th birthday and played 18 years with several teams, including the Houston Rockets, where he was a mentor to another international player, Yao Ming.

During his playing career, Mutombo began participating in humanitarian work, started his own foundation to support his native Congo and served as the first youth emissary for the United Nations Development Program. He also began working with Basketball without Borders, a program started by the NBA to encourage friendship and tolerance through basketball camps run globally.

The program was first introduced in 2001 in the Balkan states after the Yugoslav Wars, before entering Africa in 2003. It has become a pipeline for future all-stars like Pascal Siakam and Joel Embiid to earn college scholarships and be drafted into the NBA.

In 2023, the NBA had a record 125 international players on team rosters, with 19 of those players from African nations. The last six MVP awards have been won by three international players, two of whom, Embiid (Cameroon) and Giannis Antetokounmpo (born in Greece to Nigerian parents) have deep ties to Africa. Mutombo followed Hakeem Olajuwon (drafted from Nigeria in 1984) and Manute Bol (drafted from Sudan in 1985) as a part of the first wave of African players to enter the NBA. There was a dramatic increase of international players entering the NBA that began with the fall of the Soviet Union and accelerated after the success of the 1992 Olympic Dream Team.

Still-rare success

The success of players like Olajuwon, Mutombo and Embiid is still fairly rare in spite of the internationalization of basketball. Of the 125 international players on rosters last year, 72% were from Canada or Europe, representative of the strong basketball pipeline within the Global North and evidence of the developmental resources maintained by these Western nations with strong youth programs and professional leagues.

Players who emerge from outside of these pipelines are often exceptional in skills and physical attributes, overcoming a lack of developmental support. Recent evidence of the wide gap in resources was the relative success of the South Sudan men’s national team at the Paris Olympics, which challenged top teams in spite of there being no indoor basketball courts in the nation. South Sudan’s basketball federation president is Luol Deng, whose family escaped the war-torn country and settled in Great Britain before Deng enrolled at Duke for a year, becoming a two-time All-Star during his 15-year NBA career.

For every Deng, Antetokounmpo or Mutombo who make it to the NBA or other professional leagues around the world, like the English Premier League, there are thousands of others who don’t. It is a lottery that creates competition domestically among lower-income groups, including members of the African diaspora in the United States, where social mobility only seems accessible through sports and entertainment.

The now-iconic image of then-Denver Nugget Dikembe Mutombo celebrating an overtime win against the Seattle Supersonics May 7, 1994. (Photo: Bill Chan/Associated Press)

The desire to leverage sports to achieve social mobility is not new, but it has become increasingly international as domestic sports leagues continue to globalize, driven by access through digital media and growing their fan and revenue bases.

Earlier efforts to globalize were focused on wealthier nations in Europe and Asia, with the NBA and NFL holding exhibitions in countries like Germany and Japan and leveraging the rivalry with the USSR. Since the 1970s, the NFL has attempted to expand beyond the United States, eventually creating the World League of American Football that would evolve into NFL Europe, which officially launched in 1991. After NFL Europe folded in 2007, the league looked toward expanding beyond U.S. borders—self-tasked with expanding not only the NFL brand but American football in general.

The NBA, on the other hand, has focused on expanding as the top basketball league in the world, leveraging the international popularity of the sport. This growth was supported by the fall of the Iron Curtain and growth of professional basketball globally, driven both by television and the popularity of players like Michael Jordan. The NBA’s agreement with the International Basketball Federation (FIBA) to allow their professionals into the Olympics led to the 1992 Dream Team, which only accelerated this growth.

Big in China

Understanding of how international players can expand the game, and brand, was further evidenced by the success of Yao Ming in popularizing the NBA in China. Yao’s success also shows the geopolitical complications that can arise, considering the Chinese government’s requirement that Yao hand over half his earnings to the government, and later conflicts ignited when Daryl Morey made comments related to repression in Hong Kong.

The growth of basketball in Europe and wealthier nations like Israel has opened opportunities for American players to continue their professional basketball careers outside the United States and for top European athletes to play in the NBA. The stability of this pipeline, and the success of players like Olajuwon and Mutombo, led to Basketball without Borders. The NFL has run several international development and scouting programs since 2007, leading to the current International Player Pathway Program. Dozens of international NFL players have entered the NFL through this program, creating a strong pipeline in countries like Nigeria, and supported by Osi Umenyiora, a Nigerian-British former NFL All-Pro.

However, the high cost of entry and potential for injury has limited this growth, leading the NFL to strongly support the growth of flag football, which will make its Olympic debut in the Summer 2028 Games in Los Angeles. NFL officials have mentioned hopes that it will have the same impact as the Dream Team had for NBA basketball. In a similar vein, FIBA has also been working to leverage 3x3 basketball to expand participation and success to other nations.

Several NBA players participated in the 2017 NBA Africa Game, including then-Dallas Maverick Dirk Nowitzki, center. (Photo: U.S. Embassy South Africa)

This growth is not without complications. Along with walking a fine line between free speech, politics and growth—as evidenced by the conflict between the NBA and China during the 2019-2020 season over Daryl Morey’s tweet in support of Hong Kong protesters, as well as 2024 exhibition games between the Denver Nuggets and Boston Celtics in the United Arab Emirates—there are also claims of cultural and economic imperialism as leagues and their sponsorship partners leverage the sport and operate in other nations.

One of the clearest examples of this imperialism and cultural disconnect is represented in the Basketball Africa League (BAL), which is overseen by NBA Africa and FIBA. Early investors included Mutombo, with Barack Obama and Grant Hill, and corporations like Pepsi and Nike, becoming the primary investors. These corporations are looking to leverage the league to expand their brand recognition, which furthers criticism regarding exploitation of labor and resources, including water privatization by beverage companies like Pepsi and Coca-Cola.

There is clearly a disconnect between expectations and realities on the African continent, with fans unable to afford tickets, a lack of facilities and the talent drain to the NBA and European leagues. Unsurprisingly, the BAL and NBA Africa are headquartered in South Africa, in the shadow of apartheid and colonialism.

Ethically fraught global expansion

In spite of these issues, NBA Africa is reportedly valued at over $1 billion, and similar to NBA China, much of the value, and investment, is based on access to potential consumers on the continent, whose population is nearing 1.4 billion. Also, similar to NBA China, there have been issues with the relationships formed to create these subsidiaries. Leaders in nations like Rwanda, Russia and Saudi Arabia have been accused of investing in sport to distract from human rights violations and improve their reputation on the world stage.

The NBA and NFL are far from the only corporations engaging in ethically fraught global expansion; however, the long Western history of exploiting of groups of color, particularly African Americans, only exacerbates concerns regarding globalization of North American sports leagues. Programs like Basketball without Borders present themselves as philanthropic but are actually investments to help expand corporate footprints and open pipelines to talent that removes players from their communities—mirroring similar pipelines between lower-income communities in the United States and major college athletics programs.

Mutombo’s passing reminds us of the positive and negative potential of global sports: the opportunity for social mobility, philanthropy and community, and the risk of widespread exploitation.

Jared Bahir Browsh is an assistant teaching professor of critical sports studies in the CU �鶹ӰԺ Department of Ethnic Studies.

Top image: Men play basketball in Dar es Salaam, Tanzania (Photo: Rohan Reddy/Unsplash)

Did you enjoy this article? Subcribe to our newsletter. Passionate about critical sports studies? Show your support.

The recent death of Dikembe Mutombo and the start of the NBA regular season today highlight the fraught realities of building a talent pipeline between lower-income countries and the NBA.

Traditional

White

Does that player in the video game look familiar?

Anonymous — Mon, 26 Aug 2024 23:31:50 +0000

Does that player in the video game look familiar? Anonymous (not verified) Mon, 08/26/2024 - 17:31

Jared Bahir Browsh

Fifteen years after Ed O’Bannon’s groundbreaking lawsuit, college athletes continue to benefit from greater control of their name, image and likeness

As an elder Millennial, I remember waiting each year for the announcement of the cover athlete for EA Sports’ collection of college sports video games. As CU celebrates Travis Hunter’s inclusion on this year’s cover, it’s a good time to look back at the fight for student-athlete compensation that led to the reintroduction of the NCAA College Football video game series.

On July 19, thousands of video game players fired up their consoles and, for the first time in 11 years, could build a dynasty as their favorite college football program. However, the lawsuit that led EA Sports and other video game developers to abandon development of college sports video games to avoid further lawsuits helped college athletes gain control of their name, image and likeness (NIL) and further compensation, altering the financial power structure in college sports.

Jared Bahir Browsh is an assistant teaching professor and director of the Critical Sports Studies Program in the Department of Ethnic Studies.

In 2009, Ed, O’Bannon—a former UCLA standout named Most Outstanding Player in the 1995 NCAA basketball tournament, which UCLA won—was playing EA Sports’ NCAA Basketball 09 when he noticed a starting forward on the team had his same attributes, looks and number, even though he was not named in the game. It was common for sports video games to mirror classic teams—including, in this instance, the 1995 UCLA Bruins.

Sonny Vaccaro, a legendary basketball marketer, convinced O’Bannon to file a lawsuit alongside 19 other former college basketball players, including athlete labor and civil rights advocates Oscar Robertson and Bill Russell. In 1970, Robertson, then-president of the NBA players’ association, filed an antitrust suit against the NBA to bring free agency to the NBA, while Russell led a boycott during a 1961 preseason game after several teammates were denied service in segregated Lexington, Kentucky. Both Hall of Famers were part of the boycott of the 1964 NBA All-Star Game that led to the NBA recognizing the player’s union.

Along with signing Michael Jordan to Nike, and being played by Matt Damon in the film Air, Vaccaro has long been an advocate for amateur athletes. O’Bannon was an ideal lead plaintiff given that the image in the game was undeniably him, not only matching his height, weight, shaved head and skin tone, but also his left-handedness. O’Bannon was no longer in basketball, so he didn’t risk the retribution that Robertson and Curt Flood, the legendary baseball player who challenged the Reserve clause and helped bring free agency to professional sports, both faced.

The case went to trial in June 2014, and on Aug. 8, Judge Claudia Ann Wilken of the Northern District of California ruled that withholding compensation to student athletes was a violation of antitrust laws. She cited NCAA v. Board of Regents of the University of Oklahoma, which ended the NCAA’s exclusive control of college football television rights 30 years earlier. Immediately before the trial, EA Sports and the Collegiate Licensing Company settled for $40 million, while the NCAA was ordered to pay more than $42 million before appeal—but more importantly, this set the stage for a radical change in college athlete compensation and the structure of college athletics.

The Ninth Circuit Court of Appeals ruled in 2016 that NCAA rules were an unfair restraint on compensation, but amateurism was an important concept to uphold and all compensation needed to be educationally related. As O’Bannon and the other plaintiffs waited for the trial, decision and results of the NCAA appeal, a number of other current and former student athletes also filed suit. Eventually, those lawsuits were combined into a class action suit, NCAA v. Alston, with Judge Wilken ruling against the NCAA and confirming that the organization placed an unfair restraint on compensation.

In 2019, California passed the first state law that permitted athletes to be compensated for NIL; the NCAA began allowing such compensation in 2021, although laws related to NIL still vary by state.

Ed O'Bannon as a UCLA player (left) and in video game likeness in EA Sports' NCAA Basketball 09. (Photos: Al Bello/Getty Images, left, and EA Sports, right)

In 2021, the Alston case reached the U.S. Supreme Court, whose majority decision stated that blocking compensation beyond educational benefits was an antitrust violation, ultimately ending the O’Bannon case seven years after Wilken’s original decision. Wilken also heard the recent case House v. NCAA, in which the defendants—including the power conferences ACC, SEC, Big 10, Big 12 and Pac 12—agreed to a settlement allowing revenue sharing between schools, conferences and student athletes. The House case also ended scholarship limits, instead instituting roster caps and potentially opening up to nearly 800 more scholarships for Division-I schools.

Several cases are still undecided, including the Dartmouth College Basketball players’ lawsuit, Johnson v. NCAA, which is another effort for college athletes to be recognized as employees of the school, which is supported by the National Labor Relations Board. There is another lawsuit that was filed by former University of Kansas guard Mario Chalmers and other former players immediately after the House settlement. Chalmers and his co-claimants allege that the NCAA and media partners utilize the images of former athletes without permission to market college sports and March Madness.

No single lawsuit can untangle the web of NCAA control that schools and athletes have been challenging for nearly half a century. It is also important to note much of this has been driven by the growth of media money, first through television rights and now branding and expanded access through digital media, which includes video games, streaming and social media platforms.

The NCAA still remains one of the most influential sporting organizations in the world, as evidenced by the Summer Olympics and Paralympics, in which hundreds of athletes earned medals in Paris after training at NCAA-affiliated universities. As these successful athletes bring attention—and money—to their schools, they deserve a fair share of the revenue. It is important not to forget Ed O’Bannon’s role in facilitating a more equitable compensation system for student-athletes.

Top image: The cover of EA Sports' College Football 25, featuring Travis Hunter in the center. (Photo: EA Sports)

Did you enjoy this article? Subscribe to our newsletter. Passionate about critical sports studies? Show your support.

Fifteen years after Ed O’Bannon’s groundbreaking lawsuit, college athletes continue to benefit from greater control of their name, image and likeness.

Traditional

White

Who is Kamala Harris?

Anonymous — Tue, 06 Aug 2024 21:46:19 +0000

Who is Kamala Harris? Anonymous (not verified) Tue, 08/06/2024 - 15:46

Jennifer Ho

Kamala Harris’ identity as a biracial woman is either a strength or a weakness, depending on whom you ask

Who is Kamala Harris?

Though Harris has had a very public life in politics for decades, speculation about who exactly she is and what she stands for has circulated across social media platforms and news stories for several years.

Many of these conversations focus on the historic nature of Harris’ presidential candidacy, since she is a mixed-race, Jamaican and Indian woman who does not have biological children and who was born to two immigrant parents in Oakland, California.

Jennifer Ho is a professor of Asian American studies in the CU �鶹ӰԺ Department of Ethnic Studies and director of the Center for Humanities and the Arts.

As I’ve previously written about Harris’ mixed-race identity, some have questioned how authentic her Black or Asian identities are. Interest in Harris’ familial background and race was reignited on July 31, 2024, when Republican presidential nominee Donald Trump falsely suggested that Harris has misled voters about her racial and ethnic identity.

“I didn’t know she was Black until a number of years ago when she happened to turn Black and now she wants to be known as Black. So, I don’t know, is she Indian or is she Black?” Trump asked during an interview with the National Association of Black Journalists in Chicago.

By saying this, Trump tapped into the long history of racism in America, where some white people have defined racial categories and policed the boundaries of race.

More than 33 million Americans identify as multiracial and likely see themselves reflected in Harris’ layered background. But many Republicans are also trying to use Harris’ identity against her.

For ardent Trump supporters, Harris may seem to represent all that they oppose, including woke politics and Democrats being “controlled by people who do not have children,” as Trump’s running mate JD Vance has said.

For Democrats, Harris represents the U.S.’s multiracial, feminist future.

Which means, what people believe about Harris largely depends on the party they already plan to vote for more than who the Democratic presidential nominee really is.

Harris and her many firsts

Many political observers and voters alike agree that Harris has breathed new life into the Democratic Party, precisely because she is a Black-South Asian woman. Many Asian American, Black, Latino and female voters see elements of themselves in Harris: the celebration of her ethnic cultures, her achievements as a person of color, and her unprecedented and pathbreaking model being a woman of color who is the nominee of a major party seeking the highest office in the country.

A variety of fundraising meetings in July and August centered on the identities of those who support Harris.

Black women for Harris, Black men for Harris, white women for Harris, white dudes for Harris, South Asians for Harris, LGBTQ+ people for Harris, among others, have all gathered in Zoom meetings that had tens of thousands of attendees—one even had a record-breaking 200,000 attendees. These online gatherings have jointly raised more than $15 million for Harris.

The number and diversity of people rallying for Harris shows her widespread appeal. Harris’ white male supporters – a key voting demographic for Democrats—also show how Harris’ candidacy is inclusive to many different kinds of people.

Inclusivity may be a keyword of Harris’ campaign, especially in opposition to her rival’s campaign. Vance’s comments about childless cat ladies has spawned endless memes tapping into the rancor of people who recognize the insensitivity and ignorance of such a remark.

Audience members cheer for Kamala Harris at a rally in Milwaukee, Wisconsin, July 23. (Photo: Jim Vondruska/Getty Images)

Harris’ supporters have responded to the GOP’s critiques of her and turned them into positive political memes celebrating her identity, attesting to Harris’ popularity with a younger, media-savvy electorate.

Using Harris’ identity against her

Republicans, meanwhile, are questioning Harris’ qualifications precisely based on her ethnic and racial identity, calling her a “DEI” candidate. This is a reference to the term “diversity, equity and inclusion.” The exact definitions of DEI can vary, but in workplaces or school settings it can look like treating everyone equally and fostering a culture where all people, regardless of their background or identities, feel welcomed. DEI policies intend to respond to the historic oppression that marginalized people have faced.

As the scholar Susan Harmeling wrote recently, “The term ‘DEI hire’ actually implies that only heterosexual, white men are qualified for such high leadership positions.”

Some in the GOP have renamed the DEI acronym “Didn’t Earn It.” U.S. Reps. Tim Burchett and Harriet Hageman both have disparaged Harris as a DEI hire, with Hageman going a step further by saying that Harris is “intellectually, just really kind of the bottom of the barrel.”

The gender factor

Harris is the second woman major-party presidential nominee, following Hillary Clinton’s candidacy in 2016. So far, Harris doesn’t seem to be facing persistent questions about whether women are fit to lead, as Clinton once did.

But Harris has faced both sexist and racist comments, particularly online. One 2021 study found that 78% of disparaging sexist and racist comments on Twitter, now called X, during November and December 2020 were directed at Harris.

Some Republicans have continued making sexist attacks on Harris in this election campaign. In a July 3, 2024, social media post, Jackson Lahmeyer, the head of the group Pastors for Trump, called Harris a “ho,” or whore, riffing off a right-wing meme of “Joe and the Ho.”

Christian nationalist Lance Wallnau took to social media on July 22 to call Harris a representative of the “spirit of Jezebel.” Other conservative pundits have claimed that Harris slept her way to the top, citing an early relationship she had with Willie Brown, a prominent Democratic politician from San Francisco and later speaker of the California State Assembly, as the reason for her success.

This false story of Harris’ romantic past aligns with old stereotypes of Black women being promiscuous, rooted in the rape of Black women by white slave owners during antebellum slavery.

And the tactic of questioning Harris’ authentic racial background could apply not just to Harris but to nearly all multiracial people.

Yet there are millions of Americans who identify as multiracial and see in Harris their own story.

Top image: Kamala Harris speaks at a campaign rally in West Allis, Wisconsin, July 23. (Jim Vondruska/Getty Images)

Jennifer Ho is a professor of Asian American studies in the Department of Ethnic Studies at the �鶹ӰԺ.

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Kamala Harris’ identity as a biracial woman is either a strength or a weakness, depending on whom you ask.

Traditional

White

Carrying a torch for country and sports

Anonymous — Thu, 25 Jul 2024 15:19:49 +0000

Carrying a torch for country and sports Anonymous (not verified) Thu, 07/25/2024 - 09:19

Rachel Sauer

As the 2024 Olympics begin in Paris, CU �鶹ӰԺ scholar Jared Bahir Browsh considers how nationalism can inform and influence the games

During the long jump medal ceremony of the 1906 Olympics in Athens, Greece, second-place finisher Peter O’Connor, an Irish athlete unhappy with having to accept his medal under the flag of Great Britain, climbed the 20-foot flagpole and waved a large green flag proclaiming “Erin Go Bragh (Ireland Forever).” Two of his Irish teammates stood at the base of the flagpole to fend off members of the Greek military.

O’Connor’s flag waving was seen not just as a political protest in support of Irish Home Rule, but a statement of nationalism.

Since the Olympic Games were revived in 1896—and perhaps even in the ancient games when male athletes from various city-states competed—the Olympics have been touted, per the Olympic Charter, as placing “sport at the service of the harmonious development of humankind, with a view to promoting a peaceful society concerned with the preservation of human dignity.”

“Sports can be a symbol and a surrogate for what’s happening politically, socially and economically in a country and between one country and another," says Jared Bahir Browsh, a CU �鶹ӰԺ assistant teaching professor in the Department of Ethnic Studies and incoming director of the Critical Sports Studies program.

However, when the 2024 Olympic Games open in Paris Friday, they are just as likely to be noteworthy for national anthems and national flags, for fans’ faces painted in homage to their countries and for national rivalries that can range from good-natured to tense and geopolitically fraught.

“At the international level of the Olympics, it can be really difficult to separate sports from nationalism,” says Jared Bahir Browsh, a �鶹ӰԺ assistant teaching professor in the Department of Ethnic Studies and incoming director of the Critical Sports Studies program. “Sports can be a symbol and a surrogate for what’s happening politically, socially and economically in a country and between one country and another.

“So, any time we have these big, international events—the Olympics, the FIFA World Cup, the Cricket World Cup—you can see these interactions between nations, and see these issues bubbling up, in a way that might not happen on the floor of the United Nations.”

Modern Olympic origins

Despite what author George Orwell declared about international sporting competitions—that they are “war minus the shooting”—when Baron Pierre de Coubertin proposed reviving the ancient Olympic Games, he is generally credited with proposing them in good, if myopic and culturally appropriating, faith.

“Wars break out because nations misunderstand each other,” de Coubertin said. “We shall not have peace until the prejudices that now separate the different races are outlived. To attain this end, what better means is there than to bring the youth of all countries periodically together for amicable trials of muscular strength and agility?”

However, Browsh says, the notion that all are equal on the playing fields of sport ignores centuries of economic disparities and social inequity between nations. “The infrastructure and systems that countries have to train athletes vary widely. High-income nations a lot of times are who you see represented on the medal stand because they’re able to spend huge amounts of money on getting their athletes there.

“So, that might reinforce this capitalist idea that wealthy nations are somehow more deserving of gold medals, which perpetuates inequity and the narrative of dominance.”

The Olympics also, perhaps inevitably, are shaped by world events happening at the time the games take place, Browsh adds, citing the infamous “Blood in the Water” water polo match between Hungary and the USSR at the 1956 Melbourne Olympics. The match happened a few weeks after Soviet forces violently quashed the Hungarian Revolution, and from the starting whistle it devolved into punching and kicking before referees halted the match early and named Hungary the winner.

And since the 1984 Summer Olympic Games in Los Angeles, Taiwan—officially known as the Republic of China—has competed as Chinese Taipei as a result of the Nagoya Resolution and International Olympic Committee concessions to the People’s Republic of China.

Thinking about the Olympics

The Olympic rings illuminated in front of the Eiffel Tower in Paris. (Photo: Stéphane Kempinaire/Paris 2024)

The Paris Olympics are happening at an interesting and fraught time around the world, Browsh says, with nationalism continuing to grow not just in the United States, but throughout Europe, Central and South America, Asia and Africa.

“In a way, we might see sports as helping define who we are as a nation,” Browsh says. “We might see our athletes as symbols of our national strength, and when they’re successful, that might get translated into a sense of rightness or even superiority.”

While a 2017 study by the Norwegian School of Sport Science found that educational attainment and income correlate with levels of sports nationalism—in general, the higher both are, the lower the sense of sports nationalism—the Olympic Games are unique “because suddenly, as a spectator, you’re really invested in a sport that you may never even think about the rest of the time,” Browsh says. “For these 16 days, you’re watching this sport and really cheering for your country.”

In a 2016 essay for Foreign Policy, scholar David Clay Large observed of the Olympics, “In part, it’s the beauty of supreme athleticism and the sizzle of carefully choreographed spectacle. But, more fundamentally, it’s the games’ capacity to dip repeatedly into a deep well of communal passion harbored by competitors and spectators alike. Whatever the organizational inadequacies and logistical screw-ups, these purported celebrations of one-world togetherness succeed because they indulge precisely what they claim to transcend: the world’s basest instinct for tribalism.”

However, Browsh says, “these are going to be incredible games. I’ll be watching and celebrating these athletes.”

Perhaps more than any other international athletic competition, the Olympics have given rise to incandescent moments of achievement and perseverance, to athletes transcending their various nations’ politics and coming together in genuine fellowship, to fans at home pausing their desire to beat the commies and happily cheering for the athletes from another country.

As spectators, Browsh says, whether it’s a matter of compartmentalizing concerns about corruption in the IOC or fears of toxic nationalism or negotiating how to celebrate athletes’ hard work while not unquestioningly accepting nation building, “love of sport is a factor in that negotiation. We ignore some of the corruptions of the media, for example, to enjoy our favorite TV show. We negotiate these spaces in order to get some joy out of life.

“Like with a lot of things, I think there needs to be a level of criticality when we consider the Olympics. I’m not saying we should stop watching or stop enjoying them—that’s not something I’d ever want to do—but I am saying we should think about them and how we can do them better.”

Top image: Robert Laberge/Getty Images

Did you enjoy this article? Subscribe to our newsletter. Passionate about ethnic studies? Show your support.

As the 2024 Olympics begin in Paris, CU �鶹ӰԺ scholar Jared Bahir Browsh considers how nationalism can inform and influence the games.

Traditional

White

Balancing fraught history and modern collaboration in America’s ‘best idea’

Anonymous — Mon, 24 Jun 2024 21:17:55 +0000

Balancing fraught history and modern collaboration in America’s ‘best idea’ Anonymous (not verified) Mon, 06/24/2024 - 15:17

Rachel Sauer

In new book, CU �鶹ӰԺ scholar Brooke Neely explores pathways to uphold Native sovereignty in U.S. national parks

Since Yellowstone became the United States’ first national park in 1872, these parks have existed in a dual space—praised, per author Wallace Stegner, as “the best idea we ever had. Absolutely American, absolutely democratic, they reflect us at our best rather than our worst," while existing on Native lands.

National parks “have a fraught history in the United States and globally with respect to Indigenous lands. The creation of U.S. national parks in the late 19th and early 20th centuries was part of a broader project to dispossess Native peoples of their homelands,” writes Brooke Neely, a research fellow in the �鶹ӰԺ Center of the American West, and her co-editors Christina Gish Hill and Matthew J. Hill in National Parks, Native Sovereignty: Experiments in Collaboration, a recently published collection of case studies and interviews exploring pathways for collaboration that uphold tribal sovereignty.

Brooke Neely, a research fellow in the �鶹ӰԺ Center of the American West, co-edited National Parks, Native Sovereignty: Experiments in Collaboration.

“There’s a tension between the ugly history of U.S. national parks and the ongoing efforts to assert Native peoples’ sovereign rights to these lands,” Neely explains. “A goal with this book is to rethink relationships between national parks and tribal nations, especially in light of shifts in federal policies over the past 20 years. It’s helpful to think that not everyone is going to come to the table with the same goals or interests, but we can find some room for collaboration.

“So, there are some discrepancies in terms of how the park service understands its job and the land resources, how it separates cultural resources versus natural resources, and the perspectives of tribes who may not distinguish between the two because they see the whole landscape as important or meaningful.”

Perspective of the tribes

Neely became interested in U.S. national parks and Native peoples in graduate school, when she studied Mount Rushmore and Crazy Horse Memorial in South Dakota’s Black Hills. Both sites exist on Native land, “so I was looking at how they grapple with this contested history,” Neely says. “How do national park sites work to include more people and tell a broader story?”

During the time Neely was doing her PhD research, Gerard Baker, a member of the Mandan-Hidatsa Tribe of the Fort Berthold Indian Reservation, became superintendent of Mount Rushmore National Memorial—the first Native American to earn the position. “I got interested in what he was working to do there,” Neely says, “bringing in the perspectives of the tribes, creating exhibits, bringing in Native speakers.”

In 2016, Neely was one of several researchers from the Center of the American West and the CU �鶹ӰԺ Center for Native American and Indigenous Studies to begin working with representatives from Rocky Mountain National Park and members of area tribes to expand interpretive programs and build collaborative relationships with the tribes.

Through this work and research she previously conducted for the 2014 sesquicentennial of the Sand Creek Massacre, Neely met Christina Gish Hill, an associate professor of anthropology and American Indian studies at Iowa State University, and Matthew Hill, an applied anthropologist who was principal investigator for two National Park Service projects focused on early American treaty-making and the Black Hills as a contested heritage landscape, her co-editors on National Parks, Native Sovereignty.

National Parks, Native Sovereignty presents case studies and interviews exploring pathways for collaboration in national parks that uphold tribal sovereignty.

Between 2016 and 2019, the researchers worked together on an ethnographic overview and assessment of Mount Rushmore for the National Park Service, seeking to understand the meaning of Mount Rushmore for Native people.

Talking about history

The idea for National Parks, Native Sovereignty came, in part, from a desire to highlight case studies from National Park Services sites, focusing on contemporary efforts to address the colonial history of U.S. national parks through research, outreach and collaborative partnerships with tribal nations, Neely says. It includes interviews with Gerard Baker and Max Bear, the tribal historic preservation officer for the Cheyenne and Arapaho tribes of Oklahoma, among others, as well as research and commentary from scholars and historians.

“Our goal was to represent a wide range of folks and the kind of work that’s being done currently,” Neely says. “There’s a federal mandate to consult with tribal nations, and it’s a unique mandate because tribes have sovereignty, so these interactions are government-to-government, and consultation can vary considerably across park sites.

“We focused on efforts over the last 15, 20 years to broaden that consultation and engagement. We wanted to look at what parks are doing to build relationships, to establish co-stewardship or co-management or some steps toward that.”

Neely and her co-editors chose interviews and scholarship that represent a range of national parks, “some of them in very emergent stages of exploring this kind of work, all the way to ones that have some kind of co-management relationship with tribes,” Neely says.

For example, Natasha Myhal, who earned her PhD in the CU �鶹ӰԺ Department of Ethnic Studies, wrote about indigenous connections at Rocky Mountain National Park, and Clint Carroll, an associate professor of Native American and Indigenous studies in the Department of Ethnic Studies, focused on Cherokee medicine keepers and the making of a plant-gathering agreement at Buffalo National River in Arkansas.

“There are 574 federally recognized tribal nations with different views on how they want to engage with public land agencies,” Neely says. “We consider the painful histories, the lands that have been taken illegally, the customs and traditions that existed for centuries before the parks were established. So, this book looks at the push and pull of this conflict and collaboration, and at the way we educate and talk about our shared history and shared landscapes in this country.”

CU �鶹ӰԺ scholar documents plant-gathering agreement

In April 2022, the Cherokee Nation and the National Park Service signed a landmark agreement to designate a 1,000-acre site along the Buffalo National River in Arkansas as the Cherokee Nation Medicine Keepers Preserve.

Under the agreement, the National Park Service will issue an annual permit to the Cherokee Nation to gather 76 types of plants within the national river area, and the Cherokee Nation agrees to provide a list of those who will be gathering plants.

For Clint Carroll, an associate professor of Native American and Indigenous studies in the Department of Ethnic Studies and citizen of the Cherokee Nation, the agreement was a significant moment in his longtime work and research with the Cherokee people in Oklahoma on issues of land conservation and the perpetuation of land-based knowledge and ways of life.

Clint Carroll, an associate professor of Native American and Indigenous studies in the Department of Ethnic Studies and citizen of the Cherokee Nation, collaborated with Cherokee Medicine Keepers and research colleagues to study the desirability and feasibility of a plant-gathering agreement in Buffalo National River.

In most situations, taking plants from national park land is against federal law, but a 2016 rule protected plant gathering by members of federally recognized tribes. The Cherokee Medicine Keepers, with whom Carroll closely works, contributed “their expertise on land-based knowledge and stewardship practices that provided the basis for such a landmark agreement,” Carroll wrote.

The Cherokee Medicine Keepers also were the experts with whom Carroll and his co-researchers—Richard Stoffle, a professor of anthropology at the University of Arizona, and Michael Evans, a cultural anthropologist with the National Park Service—partnered while studying the desirability and feasibility of the Buffalo National River agreement, which research they detailed in “Returning to Gather: Cherokee Medicine Keepers, the National Park Service and the Making of a Plant-Gathering Agreement at Buffalo National River” for the book National Parks, Native Sovereignty.

“It was a multiyear collaboration that entailed multiple visits to the park and meetings with the elders,” Carroll explains. “One visit was to make sure the places elders would be gathering were safe and had amenities for them. The next visit entailed an ethnobotanical study, where a team of researchers from the University of Arizona interviewed the elders during a two-day event at Buffalo National River, asking them about the plants that would make up the list that is now represented through the agreement.”

Plants such as wild onion, sage, bloodroot, wild indigo and river cane have long been important to citizens of the Cherokee Nation for food, medicine, art and other purposes, Carroll explains. However, patchwork land divisions with differing ownership, as well as habitat loss related to climate change, have made some of these plants harder to access and harder to find.

In fact, many tribes still feel the effects of the Dawes Act, which divided communally held tribal lands into individually owned private property, so lands where Cherokee people had long gathered plants “can be private property, state land, other types of lands that Cherokee people simply don’t have access to anymore,” Carroll says.

“It’s an issue of not only limited access to land, but those places where Cherokee people were gathering, the plants they were seeking were less prevalent. So, it was these compounding factors that led to thinking about what else can we do to ensure that Cherokee people can continue to gather into generations beyond this one.”

Did you enjoy this article? Subscribe to our newsletter. Passionate about the American West? Show your support.

In new book, CU �鶹ӰԺ scholar Brooke Neely explores pathways to uphold Native sovereignty in U.S. national parks.

Traditional

White

Ethnic Studies

Who lives in a pineapple and announces football games?

Related Articles

Exploring the ‘musical audacity’ of funk

Related Articles

That red nose still guides us to Christmas

Related Articles

Floating like a butterfly, stinging like a bee

Related Articles

Remembering the player behind ‘Fernandomania’

Related Articles

Balancing opportunity and exploitation as the NBA forges new ground in Africa

Related Articles

Does that player in the video game look familiar?

Related Articles

Who is Kamala Harris?

Related Articles

Carrying a torch for country and sports

Related Articles

Balancing fraught history and modern collaboration in America’s ‘best idea’

Related Articles