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In newest chapter of ongoing ‘Conversation Series,’ CU �鶹ӰԺ’s Helanius J. Wilkins explores concepts of belonging and being heard.

Arneshia Williams, an MFA candidate in dance at CU �鶹ӰԺ, didn’t get any formal training in her craft until adulthood. Before that, she learned everything she knew about dance from services on Sunday mornings.

In a nod to the past, CSF’s Summer 2017 lineup will remount the plays audiences saw in its original 1958 season: The Taming of the Shrew, a laugh-out-loud audience favorite; Julius Caesar, a classic political thriller; and Hamlet, Shakespeare’s undisputed masterpiece.

CU �鶹ӰԺ’s 2016-17 theatre season continues with a highly anticipated all-female production of Shakespeare’s “Twelfth Night.” Directed by renowned Los Angeles actor, director, teacher and producer Lisa Wolpe, the production runs Nov. 4-13 in the University Theatre.

Continuing the exciting 2016-17 dance season at CU �鶹ӰԺ is “Boneless,” a showcase of two works by MFA students intent on uncovering who we really are underneath our society’s thick layers of commercialism and social standards.

CU �鶹ӰԺ’s 2016-17 theatre season continues with a heartwarming, hilarious production of “The Servant of Two Masters,” a classic Italian commedia dell’arte by 18th-century playwright Carlo Goldoni. Performances of the play, directed by CU Associate Professor Tamara Meneghini, take place Oct. 19-23 in CU’s Loft Theatre.

Just in time for the United States presidential election, CU �鶹ӰԺ’s Department of Theatre & Dance gears up for a production of “44 Plays for 44 Presidents,” a funny and poignant whirlwind trip through American history.

This fall, CU �鶹ӰԺ brings street culture to the stage with [UN] W.R.A.P.: Women of the Cypher, a weekend-long performance event bringing together renowned female Hip-Hop scholars, artists and enthusiasts for a critical and creative exchange.