By Published: March 6, 2020

Marcia Douglas to voice Caribbean immigrant experiences through boundary-breaking novel and performance


Movement has always been an important theme to Marcia Douglas鈥 work.

Though she was born in the United Kingdom, Douglas, a creative writer, grew up in Kingston, Jamaica, and spent eight years as an undocumented immigrant in the United States after coming here at the age of 19.

 A Novel in Bass Riddim,听Notes from a Writer's Book of Cures and Spells听补苍诲听Madam Fate

The Marvellous Equations of the Dread: A Novel in Bass Riddim,听Notes from a Writer's Book of Cures and Spells听补苍诲听Madam Fate

With experiences that span a large portion of the world and her particularly genre-bending style of writing, Douglas plans to explore Caribbean immigrant accounts in her next project, which is this year鈥檚 recipient of a $100,000 grant awarded by the听.听

Douglas鈥 project,听Genuine Herstories: Documythographies, is a combination novel and performance and听was one of 35 projects selected out of more than 4,000 applications submitted for the grant, which supports projects that are innovative and challenging. The award includes $50,000 in project funding and $50,000 for career development.

Douglas sees her project as a story in which other immigrants might see themselves reflected, hopefully inspiring them to share their own stories and feel that they have a community.听

鈥淐onversation is a beginning of change,鈥 said Douglas. 鈥淚 would like to work on a project that opens up some useful conversation around immigration.鈥

Douglas is an author, performer and professor of creative writing at the 麻豆影院. Her works include the novels听The Marvellous Equations of the Dread: A Novel in Bass Riddim,听Notes from a Writer's Book of Cures and Spells听补苍诲Madam Fate,听as well as the poetry collection听Electricity Comes to Cocoa Bottom.听

Her writing is generally informed by Jamaican and Caribbean experiences, and this project is no exception.

鈥淭his is a project about migration and fugitivity, and it charts centuries of movement of people in the Caribbean region,鈥 Douglas says. The novel will cover stories of movement ranging from times of slavery to modern accounts, including her own experiences coming to the United States as an undocumented immigrant.

鈥淚鈥檓 hoping in the end, my reader will take away an appreciation for the breadth and complexity of that experience and various ways in which it resonates both backwards and forwards in time, because I see all of these various movements and migrations, whether it鈥檚 forced or whether it鈥檚 voluntary, as being connected in some sort of way.鈥

While the project鈥檚 base is a novel, challenging the boundaries of writing style characterizes Douglas鈥 work. Her exploration of the combination of memoir, poetry, prose and visual elements will come to play in her current project.听

This is a project about migration and fugitivity, and it charts centuries of movement of people in the Caribbean region."

鈥淭hat leads me to some very hybrid spaces and where I鈥檓 putting genres in conversation with each other,鈥 Douglas says. 鈥淚鈥檓 interested in interrogating what a novel sounds like and looks like and feels like and just playing with that terrain.鈥

On top of mixing writing styles,听Genuine Herstories: Documythographies听also explores a mix of fictional prose with archival documents. Though Douglas draws from historical figures and parts of her own experiences, she will also fictionalize these.

鈥淵ou begin to see where it鈥檚 very conscious of the way in which fiction and imagination come to be in conversation, and sometimes you can鈥檛 tell one different from the other. So, it becomes this document but this myth as well. It鈥檚 a record, but it鈥檚 also something of an imaginary archive as well.鈥

As her research is closely tied into her writing, Douglas juggles both processes simultaneously. While at times Douglas鈥 research and experiences inform her writing, sometimes the characters and the story compel her to base her research off her writing as well.

Douglas plans to finish the novel by the end of 2021. In addition, she plans to wrap the project with a performance element to 鈥渓ift the voices off the page.鈥

Based on a quote by Thomas Jefferson鈥斺淎 morsel of genuine history is a thing so rare as to be always valuable鈥濃擠ouglas explains:

鈥淚鈥檓 thinking about the place where history and the imagination meet. I鈥檓 looking for that rare bit of history/herstory which I can use as a seed and then take it and use my imagination to make it grow.鈥